西蒙斯先生说:在嘎勒吉奇文化遗产之旅中,风格化、音调和他人的声音

John K. McCullough
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引用次数: 0

摘要

本文讨论了在南卡罗来纳州查尔斯顿的文化遗产之旅中,Gullah Geechee的风格化声音,特别是假声的使用。Gullah Geechee是美国东南沿海低地以前被奴役的人的后裔所说的一种少数民族克里奥尔语,在研究中使用参与者观察和社会语音数据收集来分析。研究发现,程式化音高转换是指南的民族语言曲目中一个富有成效的组成部分,用于多种索引功能,包括构建真实性和执行程式化双重发声。数据显示,这一特征的复杂社会意义与言语类型、表演、对真实性和权威的感知以及少数民族语言的商品化供外人消费的民族语言库有关。该研究还将古勒吉奇语的韵律指数性与其相关的非裔美国英语联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
What Mr. Simmons said: Stylization, pitch, and the voicing of others on the Gullah Geechee cultural heritage tour
This article discusses the use of stylized voicing, specifically falsetto phonation, in Gullah Geechee during a cultural heritage tour in Charleston, South Carolina. Gullah Geechee, a minority creole language spoken by descendants of formerly enslaved persons in the American Southeastern coastal Lowcountry, is analyzed in the study using participant observation and sociophonetic data collection. The research finds that the stylized pitch-shifting is a productive component of the guide’s ethnolinguistic repertoire, used for multiple indexical functions, including constructing authenticity and performing stylized double-voicing. The data shows the complex social meaning of this feature related to speech genres, performance, perceptions of authenticity and authority, and the ethnolinguistic repertoire of a minority language commodified for outsider consumption. The study also links Gullah Geechee prosodic indexicality with its related variety, African American English.
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