希腊金匠的特洛伊木马

Y. Polidovych
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B. V. Farmakov­sky singled out five scenes from the life of Achilles which sequentially represent the Hero from his childhood to the death (fig. 2: 1). \nIn this paper the author identifies nine scenes (fig. 2: 2). Upper frieze: 1) a young man (possibly Apollo) teaches the boy Achilles archery; Thetis stands side by side, she worries about the fate of her son Achilles (fig. 3: 3); 2) Achilles says his mother Thetis goodbye before leaving to the island of Skyros; 3) Odysseus finds Achilles on the island of Skyros; 4) Deidamia, the wife of Achilles, runs away in despair; 5) Peleus hands over his weapon to his son Achilles. \nLower frieze: 6) Briseis regrets her fate as a slave (fig. 3: 1—2); 7) Zeus establishes the events in the fates of the heroes (fig. 3: 4); 8) Achilles accepts the gifts from Agamemnon and makes peace with him, a wounded Odysseus is standing beside him; 9) Thetis carries the bag with ashes of Achilles and mourns his death (fig. 3: 5). 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引用次数: 0

摘要

本文分析了公元前4世纪下半叶的黄金戈尔图斯封面上的图像(图1)。这些物品被发现于Chertomlyk kurgan(现为乌克兰第尼伯罗彼得罗夫斯克州),Melitopol kurgan(现为乌克兰Zaporizhia州),Ilyintssi镇附近的kurgan(现为乌克兰文尼察州)和stanitsa Elizavetinskaya(现为俄罗斯罗斯托夫州)附近的Piat ' bratiev(五兄弟)组。所有的gorytos封面尺寸都是一样的。它们是在同一时间和同一车间使用青铜基体(或一组基体)制成的。大多数现代研究人员都认为,戈里图封面上的中心图像是希腊史诗中的英雄阿喀琉斯的生活场景,他被希腊人尊为神圣的保护者。罗伯特在1891年提出了这种解释。B. V. Farmakov-sky从阿喀琉斯的一生中挑出了五个场景,依次代表了英雄从童年到死亡(图2:1)。在本文中,作者确定了九个场景(图2:2)。上部饰带:1)一个年轻人(可能是阿波罗)教男孩阿喀琉斯射箭;忒提斯肩并肩站着,她担心儿子阿喀琉斯的命运(图3:3);2)阿喀琉斯在离开斯基罗斯岛之前向他的母亲忒提斯告别;3)奥德修斯在斯基罗斯岛上找到阿喀琉斯;4)阿喀琉斯的妻子黛达米亚绝望地逃跑了;珀琉斯把武器交给儿子阿喀琉斯。下frieze: 6) Briseis后悔她的命运作为一个奴隶(图3:1-2);7)宙斯在英雄的命运中建立事件(图3:4);8)阿喀琉斯接受阿伽门农的礼物并与他讲和,受伤的奥德修斯站在他身边;9)忒提斯背着装着阿喀琉斯骨灰的袋子,哀悼他的死亡(图3:5)。所有的场景都讲述了阿喀琉斯成为伟大的战士和英雄之前的事件:战争训练的开始,特洛伊战争开始前夕的事件,特洛伊城墙上的事件以及与阿伽门农的争吵。也许这些图像与知识的魔力有关关于开始,关于起源。在这种情况下,这是关于阿喀琉斯作为英雄的起源的知识。这样的魔法知识使我们能够运用护法英雄的力量,并将其引导到正确的方向,就像祈祷或咒语一样。戈里托斯是斯基泰人的武器。这个戈里图系列是在一个希腊城邦的车间里制作的,可能在博斯普鲁斯王国。他们被捐赠给斯基泰统治者,有一个秘密的目的:借助神奇的图像来抑制斯基泰人的好战情绪,安抚他们。因此,这些戈里托就像一匹木马,根据希腊史诗,亚该亚战士把它作为所谓的特洛伊礼物,并在它的帮助下占领了这座坚不可摧的城市。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
TROJAN HORSE OF THE GREEK GOLDSMITHS
The paper analyzes the images on the gold gorytos covers of the second half of the 4th century BC (fig. 1). These items were found in the Chertomlyk kurgan (now the Dnipropetrovsk Oblast, Ukraine), the Melitopol kurgan (now the Zaporizhia Oblast, Ukraine), the kurgan near the town of Ilyintssi (now Vinnytsia Oblast, Ukraine) and the kurgan 8 from group of Piat’ bratiev (Five Brothers) near the stanitsa Elizavetinskaya (now the Rostov Oblast, Russia). All gorytos covers are of the same size. They were made using a bronze matrix (or a set of matrices) at the same time and in the same workshop. Most modern researchers accept the interpretation of the central images on the gorytos covers as the scenes from the life of Achilles, the hero of the Greek epic, who was revered by Greeks as divine protector. K. Robert proposed this interpretation in 1891. B. V. Farmakov­sky singled out five scenes from the life of Achilles which sequentially represent the Hero from his childhood to the death (fig. 2: 1). In this paper the author identifies nine scenes (fig. 2: 2). Upper frieze: 1) a young man (possibly Apollo) teaches the boy Achilles archery; Thetis stands side by side, she worries about the fate of her son Achilles (fig. 3: 3); 2) Achilles says his mother Thetis goodbye before leaving to the island of Skyros; 3) Odysseus finds Achilles on the island of Skyros; 4) Deidamia, the wife of Achilles, runs away in despair; 5) Peleus hands over his weapon to his son Achilles. Lower frieze: 6) Briseis regrets her fate as a slave (fig. 3: 1—2); 7) Zeus establishes the events in the fates of the heroes (fig. 3: 4); 8) Achilles accepts the gifts from Agamemnon and makes peace with him, a wounded Odysseus is standing beside him; 9) Thetis carries the bag with ashes of Achilles and mourns his death (fig. 3: 5). All scenes tell about the events that preceded the manifestation of Achilles as a great warrior and hero: the beginning of warfare training, the events on the eve of the beginning of the Trojan War, the events at the walls of Troy and the quarrel with Agamemnon. Perhaps these images are associated with the magic of knowledge about the beginning, about the origin. In this case, this is knowledge about the origin of Achilles as a hero. Such magical knowledge made it possible to wield the power of the Protector Hero and direct it to the right direction like a prayer or a spell. Gorytos was the Scythian weapon. This gorytos series was made in some workshop of a Greek city-state, possibly in the Bosporus kingdom. They were donated to the Scythian rulers with a secret purpose: with the help of magical images to restrain the warlike moods of the Scythians, to pacify them. Therefore, these gorytos were like a wooden horse which, according to the Greek epic, the Achaean warriors left as the so-called gift of Troy and with its help captured this impregnable city.
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