真实性和游戏性

David Egan
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引用次数: 0

摘要

海德格尔对真实性的描述强调接受性和反应性,这些品质在维特根斯坦对游戏重要性的欣赏中得到了更加明显的强调。维特根斯坦对语言游戏和教与学场景的研究突出了交流和行动的动态演变。他对行动的描述将我们塑造成玩家而不是代理人——音乐或戏剧的即兴创作是维特根斯坦真实性的典范。这一章还回应了Rush Rhees所表达的担忧,即维特根斯坦对游戏的强调打开了诡辩的大门,并引出了海德格尔对接受性和反应性的处理中语法中间声音的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Authenticity and Play
Heidegger’s account of authenticity emphasizes receptivity and responsiveness and these qualities receive even more pronounced emphasis in Wittgenstein’s appreciation of the importance of play. Wittgenstein’s investigations of language-games and scenes of teaching and learning highlight the dynamic evolution of communication and action. His account of action styles us not as agents but as players—musical or theatrical improvisation serves as a model for Wittgensteinian authenticity. The chapter also responds to the concern voiced by Rush Rhees that Wittgenstein’s emphasis on games opens the door to sophistry and it draws out the importance of the grammatical middle voice in Heidegger’s treatment of receptivity and responsiveness.
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