幻想漫画小说:保罗·威廉姆斯的漫画小说化(书评)

Shawn Gilmore
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引用次数: 0

摘要

漫画学者,尤其是漫画历史学家,长期以来一直被“漫画小说”这个词所困扰,这个词背负了太多的包袱,以至于一些学者拒绝使用它,而另一些学者则试图通过对这个词的使用进行严格的警告来驯服它。在过去的几年里,我们看到了一系列的书,试图把事情弄清楚,建立艺术家和作品的历史和谱系,导致了我们现在认为稳定的出版形式,图形小说:举几个例子,这些包括从漫画到图形小说(2013),由丹尼尔·斯坦和Jan-Noël Thon编辑;绘本小说:简介(2015),简·贝滕斯和雨果·弗雷;以及由贝滕斯、弗雷和斯蒂芬·塔巴奇尼克编辑的《剑桥图画小说史》(2018年)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dreaming the Graphic Novel: The Novelization of Comics by Paul Williams (review)
Comics scholars, and particularly comics historians, have long been vexed by the term “graphic novel,” a descriptor that carries with it so much baggage that some scholars reject its use, while others attempt to tame it by heavily caveating their invocations of the term. The last few years have seen a range of books that have tried to set things straight, establishing histories and genealogies of artists and works that led to what we now consider a stable publishing form, the graphic novel: to name a few, these have included From Comic Strips to Graphic Novels (2013), edited by Daniel Stein and Jan-Noël Thon; The Graphic Novel: An Introduction (2015), by Jan Baetens and Hugo Frey; and The Cambridge History of the Graphic Novel (2018), edited by Baetens, Frey, and Stephen Tabachnick.
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