“禁止达科他输油管道”运动中的艺术、影响和社交媒体

Robyn Lee
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引用次数: 0

摘要

原住民领导的反对拟议中的输油管道的行动在很大程度上依赖于社交媒体,就像反对达科他输油管道的#NoDAPL运动一样。本文探讨了网络行动主义的情感参与,包括Facebook上的Standing Rock“签到”活动。canupa Hanska Luger的Mirror Shields项目超越了对具体行动主义和数字行动主义的二分理解,使用数字媒体来支持立岩的直接行动。帕特里夏·克拉夫在她的生物介导身体概念中,将情感与对身体的技术科学理解直接联系起来。这有助于解释物理和数字行动主义是如何联系在一起的:数字和物理不能被理解为彼此独立,因为在线参与也总是有一个具体的方面。卢格的镜盾计划作为一种另类生命的形式,在抵抗生物能量的过程中,认识到历史和正在发生的危害,同时也创造了抵抗的新可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Art, Affect, and Social Media in the ‘No Dakota Access Pipeline’ Movement
Indigenous-led activism against proposed oil pipelines has relied heavily on social media, as in the #NoDAPL campaign against the Dakota Access Pipeline. This paper explores affective engagement in online activism, including the Standing Rock ‘check-in’ campaign on Facebook. Moving beyond dichotomous understandings of embodied vs digital activism, Cannupa Hanska Luger’s Mirror Shields Project employs digital media in order to support direct action at Standing Rock. Patricia Clough draws a direct link between affect and technoscientific understandings of the body in her concept of biomediated bodies. This helps explain how physical and digital activism are linked: the digital and the physical cannot be understood as independent of each other, since online engagement always has an embodied aspect as well. Luger’s Mirror Shields Project functions as a form of alterlife, in resistance to biopower, recognizing historical and ongoing harms while also creating new possibilities for resistance.
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