Kathleen Gyssels; Daniele de França Nolasco; Dennys Silva-Reis
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摘要

在安德列(1928-2006)和西蒙娜·施瓦茨-巴特(1938)的小说中,人类学的元素是相同的:从成人仪式(从出生到死亡),从命名仪式到精神导师和治疗者的选举,等等。此外,在黑人(安的列斯群岛)和犹太人(德系犹太人)流散世界之间,一种可逆性正在发挥作用。人诗意的界面清晰地体现了超越社会文化和民族宗教分歧的普遍母题的存在。正如我在《Marrane et Marronne: la cocomacricriture rverssible d’andr et Simone Schwarz-Bart》(GYSSELS, 2014)中所坚持的那样,神秘的犹太人身份(“Marrane”,在非宗教犹太人的意义上,是一个皈依的犹太人)与非洲加勒比文化中的放逐实践有关,因为后者同样以文化适应和对欧洲压迫的抵抗为特征。因此,可逆性通过魔法-宗教领域在两个流散社区清楚地说明。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
MULHER-XAMÃ ENTRE TSADDIK E QUIMBOISEUSE A INTERFACE ANTRO-POÉTICA NA OBRA SCHWARZ-BARTIANA (CICLO ANTILHANO/ASQUENAZISTA)
In the novels of both André (1928-2006) and Simone Schwarz-Bart (1938), the anthropological elements are tantamount: from rites of passage (from birth to death), from the rites of naming to the election of spiritual guide and healer, etc. Moreover, between the Black (Antillean) and Jewish (Ashkenaze) diasporic world, a reversibility is at play. The anthropoetic interface clearly manifests the presence of universal motifs, beyond the socio-cultural and ethno-religious divergences. As I have maintained in Marrane et Marronne: la coécriture réversible d’André et Simone Schwarz-Bart (GYSSELS, 2014), the crypto-Jewish identity (« marrane », in the sense of being a non-religious Jew, a converted Jew) is linked to the practice of marooning in AfroCaribbean culture in the sense that the latter is equally marked by acculturation and resistance towards European oppression. Reversibility is consequently plainly illustrated through the magico-religious sphere in both diasporic communities.
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