{"title":"Facebook、Polymedia、社会资本与印尼移民家庭佣工的数字家庭:以新加坡“看不见的手”之声为例","authors":"Adriana Rahajeng Mintarsih","doi":"10.18357/mmd41201918971","DOIUrl":null,"url":null,"abstract":"Rarely do female migrant domestic workers (MDWs) get a chance to narrate their own migration experience. Voice of Singapore’s Invisible Hands (or The Voice), which started as a literary community on Facebook, aims to reshape the dominant—negative—discourse on migrant workers, especially Indonesian MDWs, by providing access to their literary work. In a transnational migration setting, Facebook has been used as a tool to maintain people’s relations with their families and friends back home, as well as for making new friends. Connections gained between individuals become a form of social capital where people build social networks and establish norms of reciprocity and a sense of trustworthiness. In the early establishment of The Voice, Facebook helped its initiator gain social capital. Ultimately, this social capital benefts the community and its members. Over the course of The Voice’s development, other social media platforms, namely WhatsApp, Skype, and email, have been used in addition to Facebook because they offer a different set of features and affordances of privacy and frequency. This practice of switching from one media to another is an illustration of polymedia, in which all media operate as an integrated structure and each is defned in relation to other media. This study, which focused on the relation of Facebook, polymedia, and social capital in the context of The Voice, used integrated online and offine qualitative data-gathering methodologies. The study found that Facebook initially helped both the community, which began as a learning space for Indonesian MDWs who wanted to narrate their stories about their home and family, and its members in their efforts to reshape the negative dominant discourse on migrant workers. It was the affordances of polymedia, however, that paved the way for the formation later on of a digital family in which the members provide emotional support for each other, similar to what family and close friends do.","PeriodicalId":117426,"journal":{"name":"Migration, Mobility, & Displacement","volume":"9 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Facebook, Polymedia, Social Capital, and a Digital Family of Indonesian Migrant Domestic Workers: A Case Study of The Voice of Singapore’s Invisible Hands\",\"authors\":\"Adriana Rahajeng Mintarsih\",\"doi\":\"10.18357/mmd41201918971\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Rarely do female migrant domestic workers (MDWs) get a chance to narrate their own migration experience. Voice of Singapore’s Invisible Hands (or The Voice), which started as a literary community on Facebook, aims to reshape the dominant—negative—discourse on migrant workers, especially Indonesian MDWs, by providing access to their literary work. In a transnational migration setting, Facebook has been used as a tool to maintain people’s relations with their families and friends back home, as well as for making new friends. Connections gained between individuals become a form of social capital where people build social networks and establish norms of reciprocity and a sense of trustworthiness. In the early establishment of The Voice, Facebook helped its initiator gain social capital. Ultimately, this social capital benefts the community and its members. Over the course of The Voice’s development, other social media platforms, namely WhatsApp, Skype, and email, have been used in addition to Facebook because they offer a different set of features and affordances of privacy and frequency. This practice of switching from one media to another is an illustration of polymedia, in which all media operate as an integrated structure and each is defned in relation to other media. This study, which focused on the relation of Facebook, polymedia, and social capital in the context of The Voice, used integrated online and offine qualitative data-gathering methodologies. The study found that Facebook initially helped both the community, which began as a learning space for Indonesian MDWs who wanted to narrate their stories about their home and family, and its members in their efforts to reshape the negative dominant discourse on migrant workers. 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引用次数: 2
摘要
女性移徙家庭佣工很少有机会讲述自己的移徙经历。新加坡“看不见的手之声”(Voice of Singapore’s Invisible Hands)最初是Facebook上的一个文学社区,旨在通过提供接触外来工(尤其是印尼的外籍佣工)文学作品的途径,重塑有关外来工的主流负面话语。在跨国移民的背景下,Facebook被用作维持人们与家乡家人和朋友关系的工具,也被用作结交新朋友的工具。人与人之间建立的联系成为一种社会资本,人们在其中建立社会网络,建立互惠规范和信任感。在美国好声音成立之初,Facebook帮助发起者获得了社会资本。最终,这种社会资本使社区及其成员受益。在《the Voice》的开发过程中,除了Facebook之外,还使用了其他社交媒体平台,如WhatsApp、Skype和电子邮件,因为它们提供了一套不同的功能,以及对隐私和频率的支持。这种从一种媒体切换到另一种媒体的做法是多媒体的一个例证,在多媒体中,所有媒体都作为一个集成的结构运行,每个媒体都是根据与其他媒体的关系来定义的。本研究聚焦于《好声音》背景下Facebook、多媒体和社会资本的关系,采用线上线下综合定性数据收集方法。这项研究发现,Facebook最初帮助了这个社区,也帮助了它的成员重塑对农民工的负面主导话语。这个社区最初是为想要讲述自己家庭和家庭故事的印尼佣工提供的学习空间。然而,正是多媒体的支持为后来数字家庭的形成铺平了道路,在这种家庭中,成员之间相互提供情感支持,就像家人和亲密的朋友所做的那样。
Facebook, Polymedia, Social Capital, and a Digital Family of Indonesian Migrant Domestic Workers: A Case Study of The Voice of Singapore’s Invisible Hands
Rarely do female migrant domestic workers (MDWs) get a chance to narrate their own migration experience. Voice of Singapore’s Invisible Hands (or The Voice), which started as a literary community on Facebook, aims to reshape the dominant—negative—discourse on migrant workers, especially Indonesian MDWs, by providing access to their literary work. In a transnational migration setting, Facebook has been used as a tool to maintain people’s relations with their families and friends back home, as well as for making new friends. Connections gained between individuals become a form of social capital where people build social networks and establish norms of reciprocity and a sense of trustworthiness. In the early establishment of The Voice, Facebook helped its initiator gain social capital. Ultimately, this social capital benefts the community and its members. Over the course of The Voice’s development, other social media platforms, namely WhatsApp, Skype, and email, have been used in addition to Facebook because they offer a different set of features and affordances of privacy and frequency. This practice of switching from one media to another is an illustration of polymedia, in which all media operate as an integrated structure and each is defned in relation to other media. This study, which focused on the relation of Facebook, polymedia, and social capital in the context of The Voice, used integrated online and offine qualitative data-gathering methodologies. The study found that Facebook initially helped both the community, which began as a learning space for Indonesian MDWs who wanted to narrate their stories about their home and family, and its members in their efforts to reshape the negative dominant discourse on migrant workers. It was the affordances of polymedia, however, that paved the way for the formation later on of a digital family in which the members provide emotional support for each other, similar to what family and close friends do.