-Musika:移动界面音乐表达(MIME)

Lin Hsin Hsin
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引用次数: 0

摘要

考虑机动性和灵活性是乐器设计架构的一部分,并将乐器演奏作为3D装置的编舞。I-Musika: MIME(移动界面音乐表达)是一种多维界面,它寻求整合至少三个“不相连的社区”或实体:“键、乐器和演奏者”。I-Musika: MIME基于频率共振结构建模范式,对乐器的属性和几何形状进行了变形,并统一了不同乐器的激励方法,从而通过提供无接触演奏的界面,为单个乐器提供多种(不同)设计,或为多个(不同)乐器提供单一设计。因此,它不仅改变了琴键-乐器-演奏者的关系,创造了一种不受姿势、手和手指位置影响的新演奏风格,还创造了一种新的观众-演奏者-乐器的形象。利用这个接口I-Musika: MIME的特性,这个新仪器是便携式的,具有艺术的物理外观或所需的视觉表现。它可以修改和实现,因为你喜欢添加另一个维度的音乐乐趣。本文提出了键对乐器、乐器对乐器和乐器对演奏者之间概念交流范式的框架。它提供了一个概述的乐器设计和演奏方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
I1)-Musika:Mobile Interface Musical Expression (MIME)
Consider mobility and flexibility to be part of musical instrument design architecture and playing the instrument as a choreography with 3D installation. I-Musika: MIME (mobile interface musical expression) is a multidimensional interface that seeks to integrate at least three "disjoint neighborhoods" or entities: "keys, instruments and players". Based on the frequency resonating structures modeling paradigm, I-Musika: MIME transfigures the properties and geometry of musical instrument and unifies the excitation methods for different instruments, thus offering multiple (distinct) designs for a single instrument or a single design for multiple (distinct) instruments via an interface that provides contact free playing. As such, not only it transforms the keys-instruments-players relationship and creates new performing style that is insensitive to posture, hand and finger positioning, it creates a new audience-player-instrument profile. Harnessing the properties of this interface, I-Musika: MIME, the new instrument is portable with an artistic physical appearance or visual representation as desired. It can be modified and achieved as you pleased to add another dimension to musical pleasure. This paper presents the framework of the conceptual communication paradigm between key to instrument, instrument to instrument and instrument to player, as described. It provides an overview of instrument design and the playing methods.
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