{"title":"《从属的隐藏文本》与我们时代的反抗艺术","authors":"Bahareh Abdi","doi":"10.3366/edinburgh/9781474477611.003.0014","DOIUrl":null,"url":null,"abstract":"This chapter employs James Scott’s theory of hidden transcript as a mode of resistance, and demonstrates how, in her polemic documentary Our Times, Banietemad has subtly managed to give voice and agency to youth in general and, in a more specific sense, to female presidential candidates","PeriodicalId":404586,"journal":{"name":"ReFocus: The Films of Rakhshan Banietemad","volume":"30 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Hidden Transcripts of Subordinates and the Art of Resistance in Our Times\",\"authors\":\"Bahareh Abdi\",\"doi\":\"10.3366/edinburgh/9781474477611.003.0014\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter employs James Scott’s theory of hidden transcript as a mode of resistance, and demonstrates how, in her polemic documentary Our Times, Banietemad has subtly managed to give voice and agency to youth in general and, in a more specific sense, to female presidential candidates\",\"PeriodicalId\":404586,\"journal\":{\"name\":\"ReFocus: The Films of Rakhshan Banietemad\",\"volume\":\"30 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-04-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ReFocus: The Films of Rakhshan Banietemad\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474477611.003.0014\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ReFocus: The Films of Rakhshan Banietemad","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474477611.003.0014","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Hidden Transcripts of Subordinates and the Art of Resistance in Our Times
This chapter employs James Scott’s theory of hidden transcript as a mode of resistance, and demonstrates how, in her polemic documentary Our Times, Banietemad has subtly managed to give voice and agency to youth in general and, in a more specific sense, to female presidential candidates