社会公平背景下的设计:学校的治疗室

Joana Saes, Augusto Deodato Guerreiro
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引用次数: 0

摘要

“设计”一词在英语中使用,但它的起源可以追溯到拉丁语“designare”,它本身集中了双重含义,即“指定”和“绘制”。从19世纪开始,设计概念通过“工业化”、“现代城市化”和“全球化”三个相互关联的全球历史进程,进入了当今传播和全球化的世界,从而产生了一种新的表达和传达知识的形式。知识,在所有环境和情况下,只需要在人体工程学(但包括),可访问性和可用性方面为每个人提供。设计,在社会公平的背景下,工作于每个人的需求和社区中的同一个人,因此,它可以被视为一种工具,允许根据目标受众的需求改变空间、设备和环境。当代社会面临着全球性的变化,个人也是如此。研究表明,受2019冠状病毒病(COVID - 19)大流行的影响,年轻人的焦虑和抑郁病例增加了约25%。儿童基金会提醒注意,如卢萨(2021年)所述,目前的大流行病造成的分娩继续对16亿多儿童的心理健康和福祉造成严重影响,并造成某种程度的教育损失。学校成为了一个救星,一个教育、社交和治疗的空间,尽管并不总是为当前世界正在经历的现实做好准备。教室让位于学校内部的治疗室,学生们在那里学习如何应对新的现实。设计作为一种辅助工具出现,为这种新的学习过程创造合适的空间。我们打算在案例研究、调查和访谈的基础上,运用理论、定性和定量的混合方法来分析现有的案例,目的是评估这些治疗室在学校的真正潜力、它们的可用性和对目标受众的好处。这篇文章提出了对社会设计概念的反思,对于所有人来说,从观察的角度来看,这可能会让每个人都感到惊讶,感觉认知舒适,他们在假设的,振兴的和多感官的人体工程学享受中思考和思考它的美和个人和集体的福祉。正是在这个意义上,我们将通过“至关重要”的重要性,从用户的概念角度出发,从他的感官和多感官的角度出发,从环境和体感和联觉的角度出发,通过空间、设备、色彩和感觉来关注感官和多感官的感知。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Design in a Context of Social Equity: Therapy Rooms in Schools
The term design, used in the English language but whose origin goes back to Latin, “designare”, concentrates in itself a double meaning, that of “designating” and “drawing”. The concept of design entered the present world of communication and globalization from the nineteenth century through the three interconnected historical global processes: “Industrialization”, “Modern Urbanization” and “Globalization”, thus giving birth to a new form of represent and convey knowledge. Knowledge, in all contexts and situations, will only have to be available to everyone, in terms of ergonomics (but inclusive), accessibility and usability. Design, in a context of social equity, works on the needs of each individual and the same individual in the community, thus, it can be perceived as a tool that allows transforming spaces, equipment, and environments, according to the target audience requirements.As contemporary societies face global changes, so do the individuals. Studies show an increase of about 25% in cases of anxiety and depression in young people, motivated by the pandemic caused by Coronavirus disease 19 (COVID 19). UNICEF alerts of the high impact, on the mental health and well-being of children and young people, that the confinements, resulting from the current pandemic, continues to cause, as well as some type of loss in terms of education, in more than 1,6 billion children, as stated by Lusa (2021). The school emerges as a lifesaver, a space for education, socialization, and therapy, although not always equipped for the current reality that the world is going through. The classroom gives way to the therapy room, within the school itself, where students learn to deal with the new reality. Design emerges as an enabling tool to create suitable spaces for this new learning process. We intend to analyze existing cases, using a mixed theoretical, qualitative, and quantitative methodology, based on case study, survey and interviews, with the aim to assess the real potential of these therapy rooms in schools, their usability, and benefits for target audience. This article suggests a reflection on a concept of social design, for all, which may amaze everyone from the observational point of view, of sensoriocognitive comfort, in their contemplation and intellection in the hypothetical, revitalizing and multisensory ergonomic enjoyment of its beauty and personal and collective well-being. It is in this sense that we will make a journey through the “vital” importance that design represents for the human being as an integrating factor in society, in a conceptual perspective for the user, for his senses and multisensory, in the contexts and somatosensory and synesthetic situations, focusing on sensory and multisensory perception, where space, equipment, colour, and feeling take place.
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