开始诗意地生活在一个近乎认知组织的世界

Thomas B. Kane
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引用次数: 1

摘要

摘要:20世纪是数理逻辑、计算机科学和哲学等相关领域取得非凡发展的世纪。戈特罗布·弗雷格(Gottlob Frege)引入了非常成功的谓词演算系统和一个可行的数学证明概念,他认为他的谓词演算是一种概念和纯粹思想的算术语言。马丁·海德格尔(Martin Heidegger)对弗雷格的方法在世界上的普遍性提出了严重的保留意见,认为它不可避免地导致人类活动的意义流血,并减少了对人类诗歌复杂性的理解。他创造了“技术性”这个词来描述我们现代世界的文化,这种文化试图将其中的一切物化并逻辑地操纵它。尽管海德格尔相信“只有上帝才能拯救我们”,但我们将在这里集中讨论如何利用戏剧性来解决现代技术工具对现代人诗歌可能性的抑制影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Beginning to Live Poetically in a World of Near-Cognitive Organisations
ABSTRACT: The 20th century saw extraordinary developments in the related fields of mathematical logic, computer science and philosophy. Gottlob Frege, who introduced the highly successful system of Predicate Calculus and a workable notion of mathematical proof, believed his Predicate Calculus to be an arithmetical language of concepts and pure thought. Martin Heidegger developed grave reservations about the pervasiveness of Frege’s method in the world, believing that it inexorably leads to a bleeding out of meaning from human activities and a diminished understanding of the poetical complexity of the human being. He coined the phrase “technicity” to describe the culture of our modern world which attempts to objectify everything in it and manipulate it logistically. Although Heidegger believed that “only a God can save us”, we will be focusing here on efforts to employ theatricality to address the deadening influences of the tools of modern technology on the poetical possibilities of the modern human being.
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