《阿凡达》中的环境保护主义与“生态印第安人”的视觉分析

Justin Fritz
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引用次数: 5

摘要

詹姆斯·卡梅隆2009年的大片《阿凡达》讲述了土著反抗环境破坏的故事。在这部电影中,地球向外移动到遥远的行星,以满足其资源饥饿。在他们的搜索中,地球人到达了潘多拉,一个生物丰富的星球,拥有多样化和复杂的生态系统。为了保卫自己的家园,潘多拉星球上的土著居民(纳美人)与地球人展开了一场战斗,争夺地球上的生命和资源哪个方面更重要。《阿凡达》中的环境信息是促进人与自然之间的平衡与和谐。然而,这种平衡体现在电影中被本质化的土著居民身上。因此,作为地球上依赖技术的资源密集型社会的陪衬,纳美人被描绘成典型的土著人口;他们被塑造成更接近自然的“生态印第安人”。通过对土著人民的古老描绘,这部电影用“土著”的声音来推动其环境信息。这篇文章从视觉上分析了这部电影是如何使用、制作和延续土著人民的刻板印象,以及这些表现是如何影响和推进电影的环境信息的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Environmentalism and the "Ecological Indian" in Avatar : A Visual Analysis
James Cameron's 2009 blockbuster, Avatar , is a tale of Indigenous resistance to environmental destruction. In the film, Earth moves outward to distant planets in order to satisfy its resource hunger. In their search, Earthlings arrive on Pandora, a biologically rich planet with a diverse and complex ecosystem. In defence of their home planet, the Indigenous people of Pandora (the Na'vi) engage in combat with the earthlings over which aspect of the planet is more important: the life above or the resources below. The environmental message in Avatar is one which promotes balance and harmony between humans and nature. However, this balance is represented by the film’s essentialized Indigenous population. Thus, as a foil for Earth's technology-dependent resource-intensive society, the Na'vi are represented as a stereotypical Indigenous population; they are cast as closer to nature in their role as the "ecological Indian." By using archaic portrayals of Indigenous peoples, the film uses an "Indigenous" voice to propel its environmental message. This article visually analyzes how the film uses, produces, and perpetuates stereotypical representations of Indigenous peoples and how these representations effect and advance the film’s environmental message.
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