先秦到汉代鸽子形象象征意义的演变——以墓中出土的鸽子头棍为例

Yuwei Zhu, Jing Zhang
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引用次数: 0

摘要

从先秦到汉代,鸽子形象的象征意义从多样性上趋于固定。从古墓中出土的鸽子头木棍的各种图像可以证实这一进化过程。中国先秦时期出土的鸽子棍形象多样,装饰复杂,各种装饰多与原始崇拜有关,说明先秦时期鸽子形象应该更多地与部落、原始宗教联系在一起。而在汉代,中国出土的鸽头棍外形简单,没有太多复杂的装饰,这说明汉代鸽子形象的象征意义趋于单一。鸽子成为老年人身份的象征,以及对老年人的尊重。本文以中国先秦至汉代墓葬出土的鸽梢为研究对象,探讨了鸽子形象的不同象征意义,总结了鸽子意义的演变过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Evolution of the Symbolic Meaning of Pigeon Image from Pre-Qin to Han Dynasty—Take the Pigeon-ended Sticks Unearthed from Tombs as Examples
From the Pre-Qin to Han Dynasty, the symbolic meaning of pigeon image tended to be fixed from diversity. The evolution process can be confirmed by the various images of the pigeon-ended sticks unearthed from the tombs. The images of the pigeon-ended sticks unearthed in the Pre-Qin period are diverse and the decorations are complex in China, and all kinds of decorations are mostly related to the primitive worship, which indicate that the pigeon images should be more associated with tribes and primitive religions in the Pre-Qin period. However, during the Han Dynasty, the pigeon-ended sticks unearthed in China are simple in appearance, without too many complex decorations, which shows that the symbolic meaning of the pigeon images tend to be single in the Han Dynasty. The pigeon becomes symbolic of identity of the elderly, and respect for the elderly. Based on the pigeon-ended sticks unearthed the tombs in China from the Pre-Qin to Han Dynasty, this paper discusses the different symbolic meanings of pigeon images, and summarizes the evolution of pigeon meaning.
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