{"title":"本我","authors":"C. Jaurretche","doi":"10.1177/095182079000300602","DOIUrl":null,"url":null,"abstract":"Focusing on how we perceive images and their relationship to cognition, perception, and representation, this chapter examines the relationship of Joyce’s long fascination with the history of inscription and alphabet, letters and sigla, primitive art, Giordano Bruno, The Book of Kells, and the image-making powers of the mind.","PeriodicalId":310393,"journal":{"name":"Language as Prayer in Finnegans Wake","volume":"36 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Book I\",\"authors\":\"C. Jaurretche\",\"doi\":\"10.1177/095182079000300602\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Focusing on how we perceive images and their relationship to cognition, perception, and representation, this chapter examines the relationship of Joyce’s long fascination with the history of inscription and alphabet, letters and sigla, primitive art, Giordano Bruno, The Book of Kells, and the image-making powers of the mind.\",\"PeriodicalId\":310393,\"journal\":{\"name\":\"Language as Prayer in Finnegans Wake\",\"volume\":\"36 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-04-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Language as Prayer in Finnegans Wake\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/095182079000300602\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Language as Prayer in Finnegans Wake","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/095182079000300602","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Focusing on how we perceive images and their relationship to cognition, perception, and representation, this chapter examines the relationship of Joyce’s long fascination with the history of inscription and alphabet, letters and sigla, primitive art, Giordano Bruno, The Book of Kells, and the image-making powers of the mind.
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