{"title":"赖特对首都的设想:巴格达和凤凰城","authors":"Hariwan N. Zebari","doi":"10.35483/acsa.am.111.29","DOIUrl":null,"url":null,"abstract":"In 1957, Frank Lloyd Wright was commissioned to design the Opera House for Baghdad as part of his Master Plan for the capital of Iraq. The same year, he proposed a design statement- an “Oasis” for Arizona State Capital in Phoenix, Arizona. Although both buildings were never realized, they continue to inspire their respective city. This study compares the two buildings as a case study to disclose the differences and unique similarities of Wright’s modern design approach to eastern culture compared to the western context.","PeriodicalId":243862,"journal":{"name":"In Commons","volume":"10482 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Wright’s Vision For The Capitals: Baghdad and Phoenix\",\"authors\":\"Hariwan N. Zebari\",\"doi\":\"10.35483/acsa.am.111.29\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In 1957, Frank Lloyd Wright was commissioned to design the Opera House for Baghdad as part of his Master Plan for the capital of Iraq. The same year, he proposed a design statement- an “Oasis” for Arizona State Capital in Phoenix, Arizona. Although both buildings were never realized, they continue to inspire their respective city. This study compares the two buildings as a case study to disclose the differences and unique similarities of Wright’s modern design approach to eastern culture compared to the western context.\",\"PeriodicalId\":243862,\"journal\":{\"name\":\"In Commons\",\"volume\":\"10482 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"In Commons\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.35483/acsa.am.111.29\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"In Commons","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.35483/acsa.am.111.29","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Wright’s Vision For The Capitals: Baghdad and Phoenix
In 1957, Frank Lloyd Wright was commissioned to design the Opera House for Baghdad as part of his Master Plan for the capital of Iraq. The same year, he proposed a design statement- an “Oasis” for Arizona State Capital in Phoenix, Arizona. Although both buildings were never realized, they continue to inspire their respective city. This study compares the two buildings as a case study to disclose the differences and unique similarities of Wright’s modern design approach to eastern culture compared to the western context.