村上春树与现代文化的变迁——以东亚城市青年读者为视角

Senno Takumasa
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摘要

20世纪90年代末以来,东亚城市青年文化出现了一些共同现象。他们喜欢读的作品变了。对他们来说,文学不再是最受欢迎的领域。喜欢漫画、动画、轻小说等的人数在不断增加。他们阅读文本的方式也发生了变化。如果说以前的读者大多关注的是解读作者的思想或者欣赏故事情节和风格,那么现在很多年轻读者关注的是人物。这意味着他们不将作品视为一个有机的整体,而是将其视为几个元素(=模块)的组合,并且他们分别欣赏每个模块。他们还把这些模块作为数据库存储在自己的脑海中,然后把它拿出来自由地重建模块,然后再次欣赏它。这种变化也带来了读者对作品要求的变化。如果说以前的读者是通过作品来接触人性、社会、历史的真相,那么现在的年轻读者则是通过作品来与朋友交流。这一现象的背后是年轻人情绪的变化。他们对社会感到某种障碍,许多人有孤独感、闭塞感和空虚感。这不是简单的从文学走向亚文化的变化。它指的是现代文化自19世纪形成以来所面临的根本变化。村上春树(村上春树)的粉丝阅读他作品的方式是文学阅读变化的典型例子。它们与作品的孤独感、闭塞感和空虚感产生共鸣。从某种意义上说,他们的阅读方式和活动都与亚文化粉丝相似。例如,粉丝之间的交流活动活跃。从上述村上春树书迷的情况来看,文学作品的读者群似乎已经开始发生变化。村上春树可能是为数不多的能够适应读者群体变化的作家之一。也许这是他在全世界受欢迎的一个重要原因。在这一点上,村上春树和亚文化一样,代表了现代文化的一个重大转折点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Haruki Murakami and the Transition of Modern Culture —From the Perspective of Young Readers in East Asian Cities
Since the end of the 1990s, common phenomena can be seen in the youth culture of East Asian cities. The works they like to read have changed. Literature is no longer the most popular field for them. The number of people who like manga, animation, light novels, etc. is constantly increasing. And the way they read texts has also changed. If it can be said that most of the previous readers pay attention to interpreting the author’s thoughts or appreciating the storyline and style, many young readers now pay attention to the character. This means that they do not regard the work as an organic whole, but as a combination of several elements (=modules), and they appreciate each module separately. They also store the modules in their mind as a database, and take it out to rebuild the module freely, and then appreciate it again. This change has also brought about changes in readers’ request for works. If it can be said that former readers seek to get in touch with human, social, and historical truth through works, young readers now seek to communicate with fellow-friends through works. Behind this phenomenon are changes in the mood of young people. They feel a certain barrier to society, and many people have a sense of loneliness, blockage, and emptiness. It is not simple change in the trend from literature to subculture. It means the fundamental changes that modern culture has faced since its formation in the 19th century. The way Haruki Murakami ( 村上春樹 )’s fans read his works is a typical example of the changes in literary reading. They resonate with the sense of loneliness, blockage, and emptiness of the work. In a sense, Not only their reading method but also their activity is similar with the subculture fans. For example, exchange activities between fans are active. Judging from the situation of the fans of Haruki Murakami above, the readership of literary works seems to have begun to change. Haruki Murakami may be one of the very few writers who can adapt to such changes in the readership. Perhaps this is an important reason for his popularity all over the world. To this point, Haruki Murakami, like subculture, represents a major turning point in modern culture.
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