{"title":"聚集人群:绘制后人类社会主体","authors":"Teri Rueb","doi":"10.1145/357744.357752","DOIUrl":null,"url":null,"abstract":"As a digital artist, I seek to create experiential works that engage participants in an infinite feedback loop of interaction and discovery. My goal is to create works that exist in a perpetual state of transformation and becoming. I am interested in the rhythm and music of everyday activities such as walking and driving—compositions that have no beginning, ending, inside or outside. Such movements, when captured and visualized, provide a portrait of the social body that reflects our understanding of Self and Other.","PeriodicalId":234597,"journal":{"name":"MULTIMEDIA '00","volume":"19 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2000-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Gathering crowds: mapping the post-human social body\",\"authors\":\"Teri Rueb\",\"doi\":\"10.1145/357744.357752\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"As a digital artist, I seek to create experiential works that engage participants in an infinite feedback loop of interaction and discovery. My goal is to create works that exist in a perpetual state of transformation and becoming. I am interested in the rhythm and music of everyday activities such as walking and driving—compositions that have no beginning, ending, inside or outside. Such movements, when captured and visualized, provide a portrait of the social body that reflects our understanding of Self and Other.\",\"PeriodicalId\":234597,\"journal\":{\"name\":\"MULTIMEDIA '00\",\"volume\":\"19 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2000-11-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MULTIMEDIA '00\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/357744.357752\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MULTIMEDIA '00","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/357744.357752","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Gathering crowds: mapping the post-human social body
As a digital artist, I seek to create experiential works that engage participants in an infinite feedback loop of interaction and discovery. My goal is to create works that exist in a perpetual state of transformation and becoming. I am interested in the rhythm and music of everyday activities such as walking and driving—compositions that have no beginning, ending, inside or outside. Such movements, when captured and visualized, provide a portrait of the social body that reflects our understanding of Self and Other.