奥尼尔《奇怪的插曲》与《榆树下的欲望》中女性对他人的物化

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引用次数: 0

摘要

男性对女性的物化是文学中一个常见的主题,而女性对他人的物化则是一个不太常见的问题。本研究旨在探讨奥尼尔所选的两部戏剧中的主要女性角色在多大程度上物化了他人。《奇怪的插曲》的女主角Nina和《榆树下的欲望》的女主角Abbie都是他人的客观化者。本文主要研究努斯鲍姆客观化理论的三个要素:工具性、可替代性和所有权。结果表明,这些女性角色遵循了上述物化理论的要素,对他人进行了物化。研究得出的结论是,这两个女性角色都是他人的客观化者,因为她们不想失去自己的霸道地位。关键词:女性角色,奥尼尔,工具性,可替代性,所有权。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Females’ Objectification of Others in Eugene O’Neill’s Strange Interlude and Desire Under the Elms
Men’s objectification of females is a common subject in literature but women’s objectification of others is a less common issue. This study aims to investigate the extent to which the main female characters in O’Neill’s two selected plays objectify others. Nina, the heroine of Strange Interlude and Abbie, the heroine of Desire Under the Elms are objectifiers of other people. This study focuses on three elements of Nussbaum’s theory of objectification: instrumentality, fungibility and ownership. Results indicate that these female characters have objectified others by following the above mentioned elements of objectification theory. The study concludes that the two female characters are objectifiers of others as they do not want to lose their domineering status. Keywords: female characters, O’Neill, instrumentality, fungibility, ownership.
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