{"title":"结论","authors":"Filippo Bonini Baraldi","doi":"10.1093/oso/9780190096786.003.0016","DOIUrl":null,"url":null,"abstract":"This final chapter summarizes the main achievement of this research on the “musical tears” of the Roma of Ceuaş. It shows what light it sheds, more generally, on European Roma communities and on the question of musical emotions. The chapter raises the question of how the gap between laboratory research and fieldwork can be reduced, and poses the foundations of an interdisciplinary approach to musical emotions.","PeriodicalId":427641,"journal":{"name":"Roma Music and Emotion","volume":"11 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Conclusion\",\"authors\":\"Filippo Bonini Baraldi\",\"doi\":\"10.1093/oso/9780190096786.003.0016\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This final chapter summarizes the main achievement of this research on the “musical tears” of the Roma of Ceuaş. It shows what light it sheds, more generally, on European Roma communities and on the question of musical emotions. The chapter raises the question of how the gap between laboratory research and fieldwork can be reduced, and poses the foundations of an interdisciplinary approach to musical emotions.\",\"PeriodicalId\":427641,\"journal\":{\"name\":\"Roma Music and Emotion\",\"volume\":\"11 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Roma Music and Emotion\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780190096786.003.0016\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Roma Music and Emotion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190096786.003.0016","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This final chapter summarizes the main achievement of this research on the “musical tears” of the Roma of Ceuaş. It shows what light it sheds, more generally, on European Roma communities and on the question of musical emotions. The chapter raises the question of how the gap between laboratory research and fieldwork can be reduced, and poses the foundations of an interdisciplinary approach to musical emotions.
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