当代电影、艺术和媒体中的难民和移民

Deniz Bayrakdar, R. Burgoyne
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引用次数: 2

摘要

21世纪的移民是我们当前历史时刻的突出问题之一,随着气候变化的加速、内战的加剧和经济短缺的加剧,这一现象变得更加紧迫。《电影、艺术和媒体中的难民和移民》由11篇文章组成,探讨了艺术家如何富有想象力地参与到这场巨大的人类戏剧中,考察了一系列不同的表现方式,为这些不稳定人群的经历提供了惊人的新视角。本书涵盖了艾未未和理查德·莫斯(Richard Mosse)的杰出艺术作品,并将表现的范围扩展到莱斯沃斯岛上的难民电影工作室,以及亚历桑德罗·g·Iñárritu等人的虚拟现实装置,本书的章节集中在美学参与的力量上,以颠覆新闻媒体的陈述之道,阐释难民和移民的故事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Refugees and Migrants in Contemporary Film, Art and Media
Migration in the 21st century is one of the pre-eminent issues of our present historical moment, a phenomenon that has acquired new urgency with accelerating climate change, civil wars, and growing economic scarcities. Refugees and Migrants in Film, Art and Media consists of eleven essays that explore how artists have imaginatively engaged with this monumental human drama, examining a range of alternative modes of representation that provide striking new takes on the experiences of these precarious populations. Covering prominent art works by Ai Weiwei and Richard Mosse, and extending the spectrum of representation to refugee film workshops on the island of Lesvos as well as virtual reality installations of Alejandro G. Iñárritu and others, the chapters included here focus on the power of aesthetic engagement to illuminate the stories of refugees and migrants in ways that overturn journalistic clichés.
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