{"title":"波托·施特劳斯在英国舞台上的表演","authors":"Carole-Anne Upton, T. Meech","doi":"10.1080/13575341.1997.10806960","DOIUrl":null,"url":null,"abstract":"The production discussed in this article was undertaken as part of our programme of practical theatre research activity. Since its founding the Hull Drama Department has had a commitment to research productions of texts translated by members of staff. This tradition has now been formalised with the establishment of the Centre for Performance Translation in the Department. Details of the Centre can be obtained from its Director, Professor Michael Walton in the Hull Department (J.M.Walton@drama.hull.ac.uk)","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"6 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Botho Strauss on the English stage\",\"authors\":\"Carole-Anne Upton, T. Meech\",\"doi\":\"10.1080/13575341.1997.10806960\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The production discussed in this article was undertaken as part of our programme of practical theatre research activity. Since its founding the Hull Drama Department has had a commitment to research productions of texts translated by members of staff. This tradition has now been formalised with the establishment of the Centre for Performance Translation in the Department. Details of the Centre can be obtained from its Director, Professor Michael Walton in the Hull Department (J.M.Walton@drama.hull.ac.uk)\",\"PeriodicalId\":391451,\"journal\":{\"name\":\"Studies in Theatre Production\",\"volume\":\"6 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Theatre Production\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/13575341.1997.10806960\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Theatre Production","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13575341.1997.10806960","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The production discussed in this article was undertaken as part of our programme of practical theatre research activity. Since its founding the Hull Drama Department has had a commitment to research productions of texts translated by members of staff. This tradition has now been formalised with the establishment of the Centre for Performance Translation in the Department. Details of the Centre can be obtained from its Director, Professor Michael Walton in the Hull Department (J.M.Walton@drama.hull.ac.uk)
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