{"title":"葡萄牙语，西班牙语，英语，荷兰语，法语，葡萄牙azulejos在欧洲史学中的独特性","authors":"A. Camara, R. S. Carvalho","doi":"10.37935/AION.V0I8.214","DOIUrl":null,"url":null,"abstract":"The link between Portuguese tile decorations and the notion of identity(ies) is rooted today in a very wide context, leading to the extensive use of azulejos as cultural and narrative symbols with very different aims. The purpose of the present article is go back in time, to the mid 19th century, and to debate the role played by European historiography in the emergence of the azulejo as an “identitarian” art form, considering its unique characteristics and the main moments and agents that have contributed to the creation and consolidation of this phenomenon.","PeriodicalId":363677,"journal":{"name":"ARTis ON","volume":"13 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"IN PORTUGUESE… AND SPANISH, ENGLISH, DUTCH, FRENCH… SINGULARITIES OF PORTUGUESE AZULEJOS WITHIN EUROPEAN HISTORIOGRAPHY\",\"authors\":\"A. Camara, R. S. Carvalho\",\"doi\":\"10.37935/AION.V0I8.214\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The link between Portuguese tile decorations and the notion of identity(ies) is rooted today in a very wide context, leading to the extensive use of azulejos as cultural and narrative symbols with very different aims. The purpose of the present article is go back in time, to the mid 19th century, and to debate the role played by European historiography in the emergence of the azulejo as an “identitarian” art form, considering its unique characteristics and the main moments and agents that have contributed to the creation and consolidation of this phenomenon.\",\"PeriodicalId\":363677,\"journal\":{\"name\":\"ARTis ON\",\"volume\":\"13 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARTis ON\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37935/AION.V0I8.214\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARTis ON","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37935/AION.V0I8.214","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
IN PORTUGUESE… AND SPANISH, ENGLISH, DUTCH, FRENCH… SINGULARITIES OF PORTUGUESE AZULEJOS WITHIN EUROPEAN HISTORIOGRAPHY
The link between Portuguese tile decorations and the notion of identity(ies) is rooted today in a very wide context, leading to the extensive use of azulejos as cultural and narrative symbols with very different aims. The purpose of the present article is go back in time, to the mid 19th century, and to debate the role played by European historiography in the emergence of the azulejo as an “identitarian” art form, considering its unique characteristics and the main moments and agents that have contributed to the creation and consolidation of this phenomenon.
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