文化遗产卡勒瓦拉;Raija usikkinen和她的插图

Nilgün Salur
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引用次数: 0

摘要

纵观历史,插图一直是世界上不同国家和文化的视觉语言和交流工具。插图技术在文学文本的传播、英雄故事的传播、神话的传播等方面发挥了重要作用。本文讨论了艺术家Raija usikkinen作为阿拉伯(芬兰最知名的陶瓷工厂之一)的设计师和插画家近40年来的贡献。此外,这篇文章还提到了从1976年到1999年,每年为芬兰民族史诗《卡勒瓦拉》制作的24款限量版车牌设计。此外,本文还考察了艺术家在创作基于真实和史前神、女神和英雄的诗意故事的设计时的原始插图风格和丝网印刷技术。这篇文章强调了这一系列版画插图的质量,它将民间元素与诗歌文本的当代诠释相结合,通过史诗记录文化遗产。根据这些信息,文章描述了1976年和1999年的设计,正面是乌西基宁的插图,背面是芬兰语、瑞典语和英语的卡勒瓦拉史诗的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
CULTURAL HERITAGE KALEVALA; RAIJA UOSIKKINEN AND HER ILLUSTRATIONS
Throughout history, illustration has been a visual language and communication tool in different countries and cultures of the world. The illustration technique has played an important role in the transmission of literary texts, heroic stories, and mythological transmissions. This article discusses the contribution of artist Raija Uosikkinen as a designer and illustrator for Arabia, one of the most well-known ceramic factories in Finland, for nearly 40 years. In addition, the article touches upon the 24 limited edition plate designs produced annually for Finland’s natioanl epic, Kalevala, from 1976 to 1999. In addition, the article examines the artist’s original illustration style and screen printing technique in creating designs based on poetic stories of both real and prehistoric gods, goddesses and heroes. The article highlights the quality of plate illustrations in this series, which combine folkloric elements with a contemporary interpretation of poetic text, as documenting cultural heritage through an epic. Based on this information, the article describes the designs from 1976 and 1999, featuring Uosikkinen illustrations on the front and a part of the Kalevala epic in Finnish, Swedish and English on the back.
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