高等舞蹈教育的未来设计:在斯德哥尔摩艺术大学舞蹈教育系的一个重大变革项目中,扫描该领域的非殖民化潜力

Tone Pernille Østern, Camilla Reppen, K. Lion, Katarina Lundmark, Elisabet S. Edelholm
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摘要

作为瑞典斯德哥尔摩艺术大学舞蹈教育系高等舞蹈教育大型变革项目的一部分,这个表演混合研究和开发项目通过对舞蹈教学领域的初步扫描,为非殖民化的潜力和挑战提供了知识。为了以一种促进集体学习、多角度思考和创造力的方式进行扫描,我们利用了设计思维。通过该项目收集的140张扫描卡进行了分析。来自世界各地舞蹈教育领域的学生、教职员工和其他人都制作了扫描卡。因此,我们认为,对该领域的扫描推动了我们自己、其他员工、学生和其他人进入一个集体学习、多角度思考和创造的过程,在这个过程中,明确的非殖民化潜力,以及变革的挑战都得到了表达。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Future designs of tertiary dance education: Scanning the field for decolonizing potentials in a major change project at the Department for Dance Pedagogy at Stockholm University of the Arts
This performative hybrid research and development project contributes knowledge about the decolonizing potentials and challenges that are articulated through an initial scanning of the dance pedagogical field as part of a large change project in tertiary dance education at the Department for Dance Pedagogy at Stockholm University of the Arts in Sweden. To do this scanning in a way that would promote collective learning, multiple perspective taking and creativity, we utilised design thinking. In total, 140 scan cards collected through the project were analysed. Both students and staff and other people in different parts of the world within the dance educational field created the scan cards. As a result, we suggest that the scanning of the field has pushed ourselves, the rest of the staff, students, and others into a process of collective learning, multiple perspective taking, and creativity, in which clear decolonizing potentials, as well as challenges to change are expressed.
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