{"title":"回忆过去的方法。21世纪厄瓜多尔纪录片的档案和证词","authors":"Christian León","doi":"10.32870/elojoquepiensa.v0i19.318","DOIUrl":null,"url":null,"abstract":"ing of national history and collective memory? Based on the analysis of the films La muerte de Jaime Roldós (Manolo Sarmiento and Lisandra Rivera, 2013) and Con mi corazón en Yambo (María Fernanda Restrepo, 2011), I seek to reflect on the uses of the archive and the work of the memory of the Ecuadorian documentalism of the new century. K e y w o R d s / documentary film, memory, history, Ecuador. https://doi.org/10.32870/ elojoquepiensa.v0i19.318","PeriodicalId":184092,"journal":{"name":"El ojo que piensa. Revista de cine iberoamericano","volume":"44 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Maneras de evocar el pasado. Archivo y testimonio en el documental ecuatoriano del siglo XXI\",\"authors\":\"Christian León\",\"doi\":\"10.32870/elojoquepiensa.v0i19.318\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ing of national history and collective memory? Based on the analysis of the films La muerte de Jaime Roldós (Manolo Sarmiento and Lisandra Rivera, 2013) and Con mi corazón en Yambo (María Fernanda Restrepo, 2011), I seek to reflect on the uses of the archive and the work of the memory of the Ecuadorian documentalism of the new century. K e y w o R d s / documentary film, memory, history, Ecuador. https://doi.org/10.32870/ elojoquepiensa.v0i19.318\",\"PeriodicalId\":184092,\"journal\":{\"name\":\"El ojo que piensa. Revista de cine iberoamericano\",\"volume\":\"44 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"El ojo que piensa. Revista de cine iberoamericano\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32870/elojoquepiensa.v0i19.318\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"El ojo que piensa. Revista de cine iberoamericano","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32870/elojoquepiensa.v0i19.318","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
民族历史和集体记忆的缺失?基于对电影La muerte de Jaime Roldós (Manolo samiento和Lisandra Rivera, 2013)和Con mi corazón en Yambo (María Fernanda Restrepo, 2011)的分析，我试图反思档案的使用和新世纪厄瓜多尔文献主义的记忆工作。K·w·R·d·s /纪录片，记忆，历史，厄瓜多尔。https://doi.org/10.32870/ elojoquepiensa.v0i19.318
Maneras de evocar el pasado. Archivo y testimonio en el documental ecuatoriano del siglo XXI
ing of national history and collective memory? Based on the analysis of the films La muerte de Jaime Roldós (Manolo Sarmiento and Lisandra Rivera, 2013) and Con mi corazón en Yambo (María Fernanda Restrepo, 2011), I seek to reflect on the uses of the archive and the work of the memory of the Ecuadorian documentalism of the new century. K e y w o R d s / documentary film, memory, history, Ecuador. https://doi.org/10.32870/ elojoquepiensa.v0i19.318
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