{"title":"简介:琼斯字里行间","authors":"Kim Wilkins, Wyatt Moss-Wellington","doi":"10.3366/edinburgh/9781474447621.003.0001","DOIUrl":null,"url":null,"abstract":"Wilkins and Moss-Wellington describe Spike Jonze’s emergence as a unique voice in American filmmaking at the turn of the millennium, analysing the way his work crosses boundaries between philosophy and genre entertainment, commercial and subversive imperatives, independent and Hollywood modes of production, short work and features. After broadly surveying Jonze’s career and articulating its importance within film studies, the ensuing chapters are introduced.","PeriodicalId":304918,"journal":{"name":"ReFocus: The Films of Spike Jonze","volume":"112 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Introduction: Jonze Between the Lines\",\"authors\":\"Kim Wilkins, Wyatt Moss-Wellington\",\"doi\":\"10.3366/edinburgh/9781474447621.003.0001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Wilkins and Moss-Wellington describe Spike Jonze’s emergence as a unique voice in American filmmaking at the turn of the millennium, analysing the way his work crosses boundaries between philosophy and genre entertainment, commercial and subversive imperatives, independent and Hollywood modes of production, short work and features. After broadly surveying Jonze’s career and articulating its importance within film studies, the ensuing chapters are introduced.\",\"PeriodicalId\":304918,\"journal\":{\"name\":\"ReFocus: The Films of Spike Jonze\",\"volume\":\"112 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ReFocus: The Films of Spike Jonze\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474447621.003.0001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ReFocus: The Films of Spike Jonze","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474447621.003.0001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Wilkins and Moss-Wellington describe Spike Jonze’s emergence as a unique voice in American filmmaking at the turn of the millennium, analysing the way his work crosses boundaries between philosophy and genre entertainment, commercial and subversive imperatives, independent and Hollywood modes of production, short work and features. After broadly surveying Jonze’s career and articulating its importance within film studies, the ensuing chapters are introduced.
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