盖伊·巴特勒饰演的德米娅

Marta Villalba-Lázaro
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引用次数: 0

摘要

虽然古典神话与后殖民主义之间的关系可能表现为不一致,但许多后殖民作家在文学接受中发现了后殖民问题,并回顾古典神话和他们自己的前殖民神话,以更好地理解他们的现状。在神话批评与后殖民主义的交叉点上,本文讨论了盖伊·巴特勒的后殖民戏剧《德米娅》,这是一部写于20世纪60年代的戏剧,但由于政治原因,直到1990年才出版或演出。巴特勒的戏剧融合了古典美狄亚神话与南非前殖民神话,以提高人们对种族隔离政治局势的认识,以及性别和种族问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Guy Butler's Demea
While the relation between classical mythology and postcolonialism may appear as an inconsistency, many postcolonial writers identify postcolonial issues in the literary reception of the classics, and look back to classical mythology and their own precolonial myths to gain a better understanding of their present. In the intersection of myth criticism and postcolonialism, this article discusses Guy Butler’s Demea, a postcolonial drama written in the 1960s but, due to political reasons, not published or performed until 1990. Butler’s play blends the classical myth of Medea with South African precolonial mythology, to raise awareness of the apartheid political situation, along with gender and racial issues.  
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