自然的女性化:荣耕·杜库·帕鲁克对女性与自然的刻画

Atyaka Laksmitarukmi
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引用次数: 3

摘要

在印尼的散文中,大自然经常被描述为人类的生命支柱。对印尼散文中自然角色的研究仍然以人类为中心。本文运用生态女性主义的方法,分析了与女性平行的自然作为文化中女性的一面的地位,以对抗男性的统治。本文分析了Ahmad Tohari的《Ronggeng Dukuh Paruk》,它将自然描述为一个探索性的方面,将文化描述为比自然更珍贵的价值。此外,这部小说被用来感知亚洲作家的作品是值得研究的,并表明这些作品提供了该地区的特征。本研究以生态女性主义为视角,对亚洲文学,尤其是印尼文学的研究,可望有所贡献。此外,本研究也有助于解读文学作品中的自然剥削,以及生态女性主义的话语。关键词:自然,生态女性主义,女性化,文化,亚洲文学
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Feminization of Nature: The Portrayal of Woman and Nature in Ronggeng Dukuh Paruk
In Indonesian prose, nature is frequently described as the life support of human beings. The studies about the role of nature in Indonesian prose are still anthropocentric. This paper analyses the position of nature in parallel to woman as the feminine side of culture against male domination using the ecofeminist approach. This paper analyzes Ronggeng Dukuh Paruk by Ahmad Tohari which describes nature as an explorative aspect and culture as a more treasured value than nature. Furthermore, this novel is used to perceive that the work of Asian writers is worth studying as well as to show that the work provides characteristics of the region. By adding another perspective using ecofeminism, this study is expected to contribute in the studies of Asian Literature, especially in Indonesian literature. In addition, this study contributes in the reading of nature exploitation in literary work and discourse about ecofeminism.Keywords: nature, ecofeminism, feminization, culture, Asian Literature
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