《我心中的地方:在全球与本土之间探索电影的语境》

A. Portegies
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引用次数: 19

摘要

研究电影背景可以让我们了解观众所经历的地方,提出电影如何描绘地方感的问题。本文将这些方面与电影中所描绘的“地方”的背景、街道、宿舍、风景和国家如何被描绘和投射联系起来。因此,电影被认为是一个镜头,通过它可以研究地方。此外,通过电影对地方的研究是在影响观众的全球和地方网络的背景下进行的。探索了这些地方被不同的观众“阅读”的方式。研究结果表明,电影观众与电影中所描绘的地方的关系不同,导致这些地方(方面)的各种含义和各种体验。此外,大多数“人口”都具有混合性质,因此,在通过电影研究地方时,需要认识到大多数文化/亚文化“人民”所经历的模糊环境。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Places on my Mind: Exploring Contextuality in Film in Between the Global and the Local
Studying film contexts can inform us about places as experienced by viewers, raising questions of how films paint a sense of place. This paper considers these aspects in relation to the contexts of “place” depicted in films, how streets, quarters, landscapes and countries are portrayed and projected. Consequently, film is considered as a lens through which places can be studied. Furthermore, this study of places through film is situated in the context of global and local networks of influence on viewers. The way these places are “read” by different audiences is explored. The findings indicate that film viewers differ in their relation to the places depicted in films resulting in a variety of meanings attributed to (aspects of) these places and a variety of experiences. Furthermore, there is the hybrid nature that most “populations” have, and the need, consequently, in the study of places through film, to recognize the ambiguous circumstances that most cultural/sub-cultural “peoples” experience.
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