沙希·德什潘德《那漫长的沉默》中婚姻关系的建构、解构与重构

Alka Rani Purwar
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引用次数: 0

摘要

多年来,印度英语小说进入了一个新的阶段,对新印度女性进行了无与伦比的描绘,这些女性并不总是满意于父权制印度无意识的黎明分配给她的限制性文化,自然和性义务。在娘家,这个女人可能是女儿或姐妹,而在丈夫家里,她可能是妻子和母亲。她还将被要求扮演一个专业角色。最重要的是,大自然给了她一个基于性别的位置,她自然受到限制。在自然和文化角色之间,女性只能是女儿、姐妹、妻子或母亲,但永远不能是真正的“她”。她想要作为一个人,为自己思考和生活的自由,从女性的身份中解放出来。她有时会逃避受文化约束的责任,因为她无法摆脱受自然约束的责任,尤其是她作为生育和性伴侣的功能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Construction, Deconstruction and Reconstruction of Marital Relationship in Shashi Deshpande’s That Long Silence
Over the years, Indian English Fiction has entered a new phase of an incomparable portrayal of the New Indian woman who is not always happy with the constraining cultural, natural, and sexual duties allocated to her by patriarchal India's unconscious dawn. In her parental house, the woman may be a daughter or sister, and in her husband's family, she can be a wife and mother. She will also be required to perform a professional role. Above all, Nature gave her a sex-based position in which she is naturally limited. Divided between her natural and cultural roles,a woman can be only a daughter, sister, wife, or mother but never her real ‘she’. She wants the freedom to think and live for herself as a human being and liberation from her womanhood. She sometimes escapesher culture-bound duties since there is no way out of her nature-bound responsibilities, particularly her function as a procreator and sexual partner.
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