奥格德的弥赛亚:胡言乱语的颂歌

Christie Rachel Saji
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引用次数: 1

摘要

有时候要用废话来理解意义。有时候,只有一个孩子和他/她提出的荒谬的问题,整个世界的感觉才会崩溃。本文试图对拉维尚卡的荒诞儿童小说《奥格德》进行研究。拉维尚卡通过她的小说解构了宗教、科学、逻辑和语言;实体:被视为意义的最终终点的实体在这样做的过程中,她阐明了意义形成的过程。本文以爱德华·李尔的《打油诗》和刘易斯·卡罗尔的小说《爱丽丝梦游仙境》为例,试图从解构的角度来理解胡言乱语的类型。本文试图通过李尔王和卡罗尔的胡言乱语作品来分析这部小说。本文试图运用德里达的一些思想,对拉维尚卡的小说进行详细的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Messiah of Ogd: An Ode to Nonsense
Sometimes it takes nonsense to understand sense. And sometimes, it takes a child and his/her nonsensical question for the whole sense of the world to collapse. This paper is an attempt to study Anushka Ravishankar’s nonsensical children’s novel Ogd. Ravishankar through her novel, deconstructs religion, science, logic and language; entities looked upon as the final end of meaning. And in doing so, she sheds light on the process of meaning-making. Using Edward Lear’s Limericks and Lewis Carroll’s novel Alice’s Adventures in Wonderland, the paper attempts to understand the genre of nonsense in its act of deconstruction. And the paper tries to analyse the novel through the lens of what has been understood from Lear’s and Carroll’s works of nonsense. Using some of Derrida’s ideas, the paper attempts to understand Ravishankar’s novel in detail.
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