音乐意象与意识的时间性

F. Bailes
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引用次数: 1

摘要

音乐意象可以被定义为对音乐的内在表现的有意识体验——一种内在听觉的形式。本章采用心理学方法来考虑音乐意象的时间方面,从从秒到分钟(例如,中断音乐的精神延续)的情节特征和频率到昼夜节律(24小时)节奏对音乐意象主观体验的潜在影响。音乐意象与其他形式的自发认知之间的共同点,结合我们内心音乐意识的时间波动的证据,提出了一种新的音乐意象周期性模型。探索我们“心灵之耳”中的音乐有可能揭示意识的时间进程,其结果不仅是在脑海中再现音乐意味着什么,还包括如何以及何时在我们的想象中体验到新的想法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Musical imagery and the temporality of consciousness
Musical imagery can be defined as the conscious experience of an internal representation of music—a form of inner hearing. This chapter adopts a psychological approach to considering temporal aspects of musical imagery, from the characteristics and frequency of episodes ranging in scale from seconds and minutes (e.g. the mental continuation of interrupted music), to the potential impact of circadian (24-hour) rhythms upon the subjective experience of musical imagery. The common ground between musical imagery and other forms of spontaneous cognition, combined with evidence of temporal fluctuations in our conscious awareness of inner music, suggests a new cyclical model of musical imagery. Exploring the music in our ‘mind’s ear’ has the potential to shed light on the time course of consciousness, with consequences not just for what it means to re-present music in the mind but also for how and when new ideas come to be experienced in our imaginations.
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