{"title":"不知道做得好:创造力,成瘾恢复和粘土","authors":"Joanna Mills","doi":"10.1386/jaah_00120_1","DOIUrl":null,"url":null,"abstract":"This photo essay shows work made during ‘ReCast’, a short creative residency led by British Ceramics Biennial in partnership with Stoke Recovery Service. Images of the making process and final pieces are combined with first-hand participant-accounts articulated through poetry. Focusing on an experimental approach to making and firing, the processes used involve a high degree of risk. The element of risk is key to allowing clients to challenge behaviours such as perfectionism and exploring the presence and absence of control within a supported environment. Participants were encouraged to reflect throughout on the parallels between the recovery process and the ceramic process, both in a wider context and in relation to their own personal experience. The quality of the work produced reflects the clients’ openness to experimentation and many express a sense of achievement, having clearly left their comfort zone far behind.","PeriodicalId":117252,"journal":{"name":"Journal of Applied Arts & Health","volume":"10 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Not knowing as well-making: Creativity, addiction recovery and clay\",\"authors\":\"Joanna Mills\",\"doi\":\"10.1386/jaah_00120_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This photo essay shows work made during ‘ReCast’, a short creative residency led by British Ceramics Biennial in partnership with Stoke Recovery Service. Images of the making process and final pieces are combined with first-hand participant-accounts articulated through poetry. Focusing on an experimental approach to making and firing, the processes used involve a high degree of risk. The element of risk is key to allowing clients to challenge behaviours such as perfectionism and exploring the presence and absence of control within a supported environment. Participants were encouraged to reflect throughout on the parallels between the recovery process and the ceramic process, both in a wider context and in relation to their own personal experience. The quality of the work produced reflects the clients’ openness to experimentation and many express a sense of achievement, having clearly left their comfort zone far behind.\",\"PeriodicalId\":117252,\"journal\":{\"name\":\"Journal of Applied Arts & Health\",\"volume\":\"10 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Applied Arts & Health\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jaah_00120_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Applied Arts & Health","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jaah_00120_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Not knowing as well-making: Creativity, addiction recovery and clay
This photo essay shows work made during ‘ReCast’, a short creative residency led by British Ceramics Biennial in partnership with Stoke Recovery Service. Images of the making process and final pieces are combined with first-hand participant-accounts articulated through poetry. Focusing on an experimental approach to making and firing, the processes used involve a high degree of risk. The element of risk is key to allowing clients to challenge behaviours such as perfectionism and exploring the presence and absence of control within a supported environment. Participants were encouraged to reflect throughout on the parallels between the recovery process and the ceramic process, both in a wider context and in relation to their own personal experience. The quality of the work produced reflects the clients’ openness to experimentation and many express a sense of achievement, having clearly left their comfort zone far behind.