麦克斯韦的《恶魔》和香农的《选择》中的自反隐喻:寻找通道

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引用次数: 0

摘要

从某种意义上说,所有的语言都是隐喻。当一个木匠说一个房间有7码长时,他是在把房间的长度与盎格鲁-撒克逊腰带的长度进行比较。当一个科学家说一个分子的直径是2.5埃时,标准变了,但原理是一样的;对象仍然是根据它与别的东西的关系来理解的一个完全独特的物体,如果可以想象的话,是无法被描述的。如果没有隐喻的联系,它就无法表达因此,问题不在于隐喻是否在科学和文学中使用,而是隐喻在这两个学科中是如何构成的,它们如何随着时间的推移而变化,以及它们如何受到它们所嵌入的解释传统的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
2 Self-reflexive Metaphors in Maxwell’s Demon and Shannon’s Choice: Finding the Passages
IN a sense, all language is metaphoric. When a carpenter says that a room is 7 yards long, he is comparing the length of the room with the length of an Anglo-Saxon girdle. When a scientist says that a molecule has a diameter of 2.5 angstroms, the standard has changed but the principle is the same; the object is still understood in terms of its relation to something else.1 A completely unique object, if such a thing were imaginable, could not be described. Lacking metaphoric connections, it would remain inexpressible.2 The question is thus not whether metaphors are used in science as well as literature, but rather how metaphors are constituted in the two disciplines, how they change through time, and how they are affected by the interpretive traditions in which they are embedded.
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