完整的诗学

Thomas Owens
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引用次数: 0

摘要

第三章恢复了华兹华斯"献给自由的十四行诗"的正式血统,通过弥尔顿的政治十四行诗回溯到五十年代的托斯卡纳诗人,主要是乔瓦尼·德拉·卡萨和托尔夸托·塔索。文章认为,华兹华斯将弥尔顿十四行诗视为露珠的概念,体现了重力、重力和阿斯普雷萨之间的关系,并提出华兹华斯在19世纪头十年的政治成就中的道德力量,是他与十四行诗形式的实际重量和下行趋势进行复杂谈判的结果。这一章展示了“献给自由的十四行诗”对华兹华斯的政治小册子《辛特拉公约》的影响,并讨论了塞缪尔·丹尼尔的《捍卫韵律》和约翰·多恩在这一传统中的十四行诗。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Orbicular Poetics
Chapter 3 recovers the formal lineage of Wordsworth’s ‘Sonnets Dedicated to Liberty’ by following it back through Milton’s political sonnets to the Tuscan poets of the cinquecento, pre-eminently Giovanni della Casa and Torquato Tasso. It suggests that Wordsworth’s conception of the Miltonic sonnet as a dewdrop exemplifies the relationship between gravity and gravità and asprezza, and proposes that the moral force of Wordsworth’s political achievement across the first decade of the nineteenth century was the result of his intricate negotiation with the actual weight and tendency to downward motion of the sonnet form. The chapter demonstrates the influence of the ‘Sonnets Dedicated to Liberty’ on Wordsworth’s political pamphlet the Convention of Cintra, and also discusses Samuel Daniel’s Defence of Rhyme and John Donne’s sonnets in this tradition.
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