用于复调旋律提取的频率锚定深度网络

Aman Kumar Sharma, Kavya Ranjan Saxena, Vipul Arora
{"title":"用于复调旋律提取的频率锚定深度网络","authors":"Aman Kumar Sharma, Kavya Ranjan Saxena, Vipul Arora","doi":"10.1109/NCC52529.2021.9530037","DOIUrl":null,"url":null,"abstract":"Extraction of the predominant melodic line from polyphonic audio containing more than one source playing simultaneously is a challenging task in the field of music information retrieval. The proposed method aims at providing finer F0s, and not coarse notes while using deep classifiers. Frequency-anchored input features extracted from constant Q-transform allow the signatures of melody to be independent of F0. The proposed scheme also takes care of the data imbalance problem across classes, as it uses only two or three output classes as opposed to a large number of notes. Experimental evaluation shows the proposed method outperforms a state-of-the-art deep learning-based melody estimation method.","PeriodicalId":414087,"journal":{"name":"2021 National Conference on Communications (NCC)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"FREQUENCY-ANCHORED DEEP NETWORKS FOR POLYPHONIC MELODY EXTRACTION\",\"authors\":\"Aman Kumar Sharma, Kavya Ranjan Saxena, Vipul Arora\",\"doi\":\"10.1109/NCC52529.2021.9530037\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Extraction of the predominant melodic line from polyphonic audio containing more than one source playing simultaneously is a challenging task in the field of music information retrieval. The proposed method aims at providing finer F0s, and not coarse notes while using deep classifiers. Frequency-anchored input features extracted from constant Q-transform allow the signatures of melody to be independent of F0. The proposed scheme also takes care of the data imbalance problem across classes, as it uses only two or three output classes as opposed to a large number of notes. Experimental evaluation shows the proposed method outperforms a state-of-the-art deep learning-based melody estimation method.\",\"PeriodicalId\":414087,\"journal\":{\"name\":\"2021 National Conference on Communications (NCC)\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"2021 National Conference on Communications (NCC)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/NCC52529.2021.9530037\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"2021 National Conference on Communications (NCC)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/NCC52529.2021.9530037","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

在音乐信息检索领域,从多个声源同时播放的复调音频中提取主旋律线是一项具有挑战性的任务。提出的方法旨在提供更精细的f0,而不是使用深度分类器的粗糙音符。从常数q变换中提取的频率锚定输入特征允许旋律的特征独立于F0。所建议的方案还处理了跨类的数据不平衡问题,因为它只使用两个或三个输出类,而不是大量的注释。实验评估表明,该方法优于目前最先进的基于深度学习的旋律估计方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
FREQUENCY-ANCHORED DEEP NETWORKS FOR POLYPHONIC MELODY EXTRACTION
Extraction of the predominant melodic line from polyphonic audio containing more than one source playing simultaneously is a challenging task in the field of music information retrieval. The proposed method aims at providing finer F0s, and not coarse notes while using deep classifiers. Frequency-anchored input features extracted from constant Q-transform allow the signatures of melody to be independent of F0. The proposed scheme also takes care of the data imbalance problem across classes, as it uses only two or three output classes as opposed to a large number of notes. Experimental evaluation shows the proposed method outperforms a state-of-the-art deep learning-based melody estimation method.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信