“人类如此需要它”:《布利斯代尔罗曼史》中的罗马天主教

Nancy F. Sweet
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摘要

纳撒尼尔·霍桑(Nathaniel Hawthorne)于1852年出版的小说《幸福谷罗曼史》(The Blithedale Romance)中充满了对罗马天主教的暗示,这表明小说与19世纪天主教与新教的神学辩论有关,尤其是在私人判断、社群主义和救赎方面。霍桑在布鲁克农场(Brook Farm)的经历是一个乌托邦式的社区,那里的居民认真地讨论天主教。《欢乐谷罗曼史》是在霍桑经历十年之后写的,它探讨了新教人物对天主教及其形式的概念,以及他们对新教私人判断和个人主义的承诺。在《光明谷》出版近六年后,霍桑在他第一次也是唯一一次访问意大利期间撰写的笔记本中,对罗马天主教进行了最直接的反思。通过将霍桑在他的法语和意大利语笔记中对天主教建筑、圣礼和礼拜仪式的讨论,以及他在《欢乐颂》中对天主教形式的典故,我们发现霍桑对一种潜在的、有机的天主教的看法,困扰着在后改革世界中精神上漂泊的美国人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Man needs it so”: Roman Catholicism in The Blithedale Romance
Nathaniel Hawthorne’s 1852 novel The Blithedale Romance abounds with allusions to Roman Catholicism, which signal the novel’s engagement with the nineteenth-century Catholic-Protestant theological debate, especially as pertains to private judgment, communitarianism, and redemption. Written a decade after Hawthorne’s experience at Brook Farm, a utopian community where residents discoursed earnestly on Catholicism, The Blithedale Romance explores Protestant characters’ conceptualizations of Catholicism and its forms, but also their commitment to Protestant private judgment and individualism. Nearly six years after publication of Blithedale, Hawthorne would offer his most direct reflections on Roman Catholicism in the notebooks he composed during his first and only visit to Italy. By placing Hawthorne’s discussion of Catholic architecture, sacrament, and liturgy in his French and Italian Notebooks alongside his allusions to Catholic forms in The Blithedale Romance, we find Hawthorne’s vision of a latent, organic Catholicism haunting Americans spiritually adrift in a post-Reformation world.
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