{"title":"人类世的气候和历史:现实主义叙事和时间框架","authors":"A. Johns‐Putra","doi":"10.1017/9781108505321.016","DOIUrl":null,"url":null,"abstract":"This chapter is prompted by recent calls by historians and other scholars for new understandings of history in the Anthropocene; it asks what this might mean for literary realism, invested as it is in the depiction of the passing of time. History in the Anthropocene renders redundant the human-historical, individual-universal dialectic that has long been the hallmark of the realist novel. Following Ian Baucom, this chapter looks to Walter Benjamin’s conceptualisation of history for clues to a new form of literary realism. For Benjamin, a true understanding of history demands the recognition of the 'image' of history, a recognition occurring in a moment of 'arrest' or stoppage in the flow of time and of thought. This chapter speculates on the emergence in the Anthropocene of a literary realism that performs just such an arrest, taking its reader beyond conventional understandings of (human) history and time.","PeriodicalId":134896,"journal":{"name":"Climate and Literature","volume":"6 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Climate and History in the Anthropocene: Realist Narrative and the Framing of Time\",\"authors\":\"A. Johns‐Putra\",\"doi\":\"10.1017/9781108505321.016\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter is prompted by recent calls by historians and other scholars for new understandings of history in the Anthropocene; it asks what this might mean for literary realism, invested as it is in the depiction of the passing of time. History in the Anthropocene renders redundant the human-historical, individual-universal dialectic that has long been the hallmark of the realist novel. Following Ian Baucom, this chapter looks to Walter Benjamin’s conceptualisation of history for clues to a new form of literary realism. For Benjamin, a true understanding of history demands the recognition of the 'image' of history, a recognition occurring in a moment of 'arrest' or stoppage in the flow of time and of thought. This chapter speculates on the emergence in the Anthropocene of a literary realism that performs just such an arrest, taking its reader beyond conventional understandings of (human) history and time.\",\"PeriodicalId\":134896,\"journal\":{\"name\":\"Climate and Literature\",\"volume\":\"6 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Climate and Literature\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/9781108505321.016\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Climate and Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/9781108505321.016","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Climate and History in the Anthropocene: Realist Narrative and the Framing of Time
This chapter is prompted by recent calls by historians and other scholars for new understandings of history in the Anthropocene; it asks what this might mean for literary realism, invested as it is in the depiction of the passing of time. History in the Anthropocene renders redundant the human-historical, individual-universal dialectic that has long been the hallmark of the realist novel. Following Ian Baucom, this chapter looks to Walter Benjamin’s conceptualisation of history for clues to a new form of literary realism. For Benjamin, a true understanding of history demands the recognition of the 'image' of history, a recognition occurring in a moment of 'arrest' or stoppage in the flow of time and of thought. This chapter speculates on the emergence in the Anthropocene of a literary realism that performs just such an arrest, taking its reader beyond conventional understandings of (human) history and time.