当代越南短篇小说的体裁结构特征

Hue Hoang Thi
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引用次数: 0

摘要

体裁结构的变化是小说从大规模叙事向小规模叙事转变的一个值得注意的点。因此,在研究短篇小说的形式特征时,体裁结构问题是一个根本性的问题。在本文的研究范围内,运用新的体裁理论问题,结合分析与比较,从诗学的角度出发,厘清越南当代文学短篇小说思潮的体裁结构要点。短篇小说在体裁结构上的创新,如:以历史的灵魂结构取代历史的事件结构,打破单行结构……必须被视为在页数限制下实现小说功能的尝试。从解释短篇小说的形成基础,到分析和澄清短篇小说结构中的这一特征,本文对一种不太陌生但仍提出了需要深入研究的问题的小说形式进行了著名的民主对话。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Characteristics of genre structure in contemporary Vietnamese short novels
The change in genre structure is a noticeable point when the novel changes from a largescale narrative to a small-scale narrative. Therefore, the problem of genre structure is posed as a fundamental problem when studying the characteristics of the short novel form. Within the scope of this article, applying new theoretical issues about the genre, combining analysis and comparison, from a poetic perspective, we will clarify the main points in the genre structure of the trend of short novels in contemporary Vietnamese literature. Innovations in the genre structure of short novels such as: replacing the historical-event structure with the historical-soul structure, and breaking the one-line structure… must be recognized and evaluated as an attempt to achieve the novel’s function with a limit on page numbers. From explaining the basis of formation, to analyzing and clarifying this feature in the structure of the short novel, the article contributes a famous democratic dialogue about a novel form that is not too unfamiliar but still poses issues that need to be studied in depth.
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