{"title":"另类电视:《辛普森一家》的起源","authors":"M. Fink","doi":"10.5117/9789462988316_ch02","DOIUrl":null,"url":null,"abstract":"The Simpsons emerged out of a unique moment in U.S. television history,\n when Fox Broadcasting began to establish itself as the fourth nationwide\n broadcasting network by targeting a young-adult audience with its brand\n of “alternative TV.” In addition to interrogating Fox’s strategy, this chapter\n introduces the central figures behind The Simpsons. More specifically, I\n analyze the role of James L. Brooks, whose name and clout as a successful\n writer-producer largely helped to launch the series. Furthermore, I\n spotlight the show’s “father,” Matt Groening, an alternative cartoonist\n who entered the television industry as a sort of “auteur import” from\n alternative comics culture, thus furnishing the program with street cred\n and a subcultural sensibility.","PeriodicalId":147065,"journal":{"name":"Understanding The Simpsons","volume":"296 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Alternative TV: The Genesis of The Simpsons\",\"authors\":\"M. Fink\",\"doi\":\"10.5117/9789462988316_ch02\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Simpsons emerged out of a unique moment in U.S. television history,\\n when Fox Broadcasting began to establish itself as the fourth nationwide\\n broadcasting network by targeting a young-adult audience with its brand\\n of “alternative TV.” In addition to interrogating Fox’s strategy, this chapter\\n introduces the central figures behind The Simpsons. More specifically, I\\n analyze the role of James L. Brooks, whose name and clout as a successful\\n writer-producer largely helped to launch the series. Furthermore, I\\n spotlight the show’s “father,” Matt Groening, an alternative cartoonist\\n who entered the television industry as a sort of “auteur import” from\\n alternative comics culture, thus furnishing the program with street cred\\n and a subcultural sensibility.\",\"PeriodicalId\":147065,\"journal\":{\"name\":\"Understanding The Simpsons\",\"volume\":\"296 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-10-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Understanding The Simpsons\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5117/9789462988316_ch02\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Understanding The Simpsons","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/9789462988316_ch02","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
《辛普森一家》诞生于美国电视史上一个独特的时刻,当时福克斯广播公司(Fox Broadcasting)开始以“另类电视”的品牌定位年轻人,成为第四大全国性广播公司。除了质问福克斯的策略,本章还介绍了《辛普森一家》背后的核心人物。更具体地说,我分析了詹姆斯·l·布鲁克斯(James L. Brooks)的角色,作为一名成功的作家兼制片人,他的名字和影响力在很大程度上帮助了这部剧的推出。此外,我还重点介绍了该剧的“父亲”马特·格勒宁(Matt Groening),他是一名另类漫画家,作为另类漫画文化的“导演输入”进入电视行业,从而为该剧提供了街头信誉和亚文化敏感性。
The Simpsons emerged out of a unique moment in U.S. television history,
when Fox Broadcasting began to establish itself as the fourth nationwide
broadcasting network by targeting a young-adult audience with its brand
of “alternative TV.” In addition to interrogating Fox’s strategy, this chapter
introduces the central figures behind The Simpsons. More specifically, I
analyze the role of James L. Brooks, whose name and clout as a successful
writer-producer largely helped to launch the series. Furthermore, I
spotlight the show’s “father,” Matt Groening, an alternative cartoonist
who entered the television industry as a sort of “auteur import” from
alternative comics culture, thus furnishing the program with street cred
and a subcultural sensibility.