提倡和平和咖啡豆荚

Joshua Gulam
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引用次数: 2

摘要

本章探讨奈斯派索与像乔治·克鲁尼这样的名人活动家合作的利害关系。通过对克鲁尼的Nespresso促销活动的仔细分析,以及一系列电影和宣传文本,它考虑了数十亿美元的咖啡品牌和好莱坞演员之间复杂的意义交换。克鲁尼的奈斯派索咖啡机广告在哪些方面使他的人道主义形象复杂化和/或巩固了其意义?这位明星的参与是如何使奈斯派索及其母公司的做法合法化的?总的来说,这一章为越来越多的研究名人行动主义的政治经济紧张关系的学术研究做出了贡献。具体来说,它探讨了作为品牌商品的名人与他们的慈善和政治活动之间存在的紧张关系。在分析的每个阶段,本章都关注如何解决这些紧张关系,以及这在多大程度上对再现霸权资本主义不平等起作用。这一章首先考察了克鲁尼的参与对奈斯派索品牌的影响。本节详细介绍了Nespresso作为一家“道德”公司的品牌形象,以及克鲁尼在推动这些宣传主张方面所扮演的角色。第二部分探讨了克鲁尼的Nespresso大使身份与他在一系列反企业电影中的形象之间的复杂关系,包括《在云端》(2009)和《迈克尔·克莱顿》(2007)。在这里,我考虑了这位明星是如何寻求以与他在银幕上的角色和银幕外的竞选活动一致的方式来构建他的代言的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Promoting peace and coffee pods
This chapter asks what is at stake in the pairing of Nespresso with a celebrity activist like George Clooney. Through close analysis of Clooney’s Nespresso promotions, in addition to a range of film and publicity texts, it considers the complex exchange of meanings between the multibillion-dollar coffee brand and the Hollywood actor. In what ways do Clooney’s Nespresso advertisements complicate and/or consolidate the meanings associated with his humanitarian image? And how has the star’s involvement helped to legitimise the practices of Nespresso and its parent company? Overall, then, this chapter contributes to a growing body of scholarship that examines the political economic tensions of celebrity activism. Specifically, it explores the tensions that exist between the celebrity as branded commodity, on the one hand, and their charitable and political activities, on the other. At each stage of the analysis, the chapter is concerned with how such tensions are resolved, and to what extent this works to reproduce hegemonic capitalist inequality. The chapter begins by examining what the involvement of Clooney communicates about the Nespresso brand. This section looks in detail at Nespresso’s branding as an ‘ethical’ company and the role that Clooney plays in furthering these promotional claims. A second section explores the complex ways in which Clooney’s Nespresso ambassadorship intersects with his appearances in a series of anti-corporate films, including Up in the Air (2009) and Michael Clayton (2007). Here, I consider how the star has sought to frame his endorsements in ways that are consistent with both his on-screen roles and his off-screen campaigning.
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