{"title":"剥夺与整体","authors":"Christopher Geary","doi":"10.1215/10418385-10428014","DOIUrl":null,"url":null,"abstract":"In the early 1840s a group of peasants warily gathers wood in a forest in western Germany. Hushed and hurried, they take care not to cut any living growth, only collecting the fallen twigs and branches from the forest floor. But soon above their rustling comes the beating sound of hooves—distant, approaching, suddenly thundering—and the peasants scream and flee as they are clubbed, hacked, and trampled by a mounted gang of forest wardens. Throughout this scene— the opening of Raoul Peck’s 2017 film The Young Karl Marx—the eponymous protagonist reads in voice-over from some of his earliest published writings criticizing new laws that criminalized such customary practices of wood gathering, while in the next scene the","PeriodicalId":232457,"journal":{"name":"Qui Parle: Critical Humanities and Social Sciences","volume":"3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Dispossession and Totality\",\"authors\":\"Christopher Geary\",\"doi\":\"10.1215/10418385-10428014\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the early 1840s a group of peasants warily gathers wood in a forest in western Germany. Hushed and hurried, they take care not to cut any living growth, only collecting the fallen twigs and branches from the forest floor. But soon above their rustling comes the beating sound of hooves—distant, approaching, suddenly thundering—and the peasants scream and flee as they are clubbed, hacked, and trampled by a mounted gang of forest wardens. Throughout this scene— the opening of Raoul Peck’s 2017 film The Young Karl Marx—the eponymous protagonist reads in voice-over from some of his earliest published writings criticizing new laws that criminalized such customary practices of wood gathering, while in the next scene the\",\"PeriodicalId\":232457,\"journal\":{\"name\":\"Qui Parle: Critical Humanities and Social Sciences\",\"volume\":\"3 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Qui Parle: Critical Humanities and Social Sciences\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/10418385-10428014\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Qui Parle: Critical Humanities and Social Sciences","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/10418385-10428014","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
19世纪40年代初,一群农民在德国西部的森林里小心翼翼地拾柴。他们安静而匆忙,小心翼翼地不砍伐任何有生命的植物,只收集森林地面上掉落的小枝和树枝。但很快,在他们的沙沙声中传来了马蹄声——遥远的,接近的,突然雷鸣般的——农民们尖叫着逃跑,因为他们被一群骑马的森林管理员用棍棒殴打,砍杀和践踏。在拉乌尔·派克(Raoul Peck) 2017年的电影《年轻的卡尔·马克思》(the Young Karl marx)的开场,同名主人公通过画外音朗读了他最早发表的一些作品,批评将这种采伐木材的习俗定为犯罪的新法律
In the early 1840s a group of peasants warily gathers wood in a forest in western Germany. Hushed and hurried, they take care not to cut any living growth, only collecting the fallen twigs and branches from the forest floor. But soon above their rustling comes the beating sound of hooves—distant, approaching, suddenly thundering—and the peasants scream and flee as they are clubbed, hacked, and trampled by a mounted gang of forest wardens. Throughout this scene— the opening of Raoul Peck’s 2017 film The Young Karl Marx—the eponymous protagonist reads in voice-over from some of his earliest published writings criticizing new laws that criminalized such customary practices of wood gathering, while in the next scene the