人类智慧的形式化:著作权法实质相似性的定量框架

Sarah Scheffler, Eran Tromer, Mayank Varia
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引用次数: 7

摘要

美国版权法的一个核心概念是判断原创作品和(据称)衍生作品之间的实质性相似性。事实证明,捕捉这一概念是难以捉摸的,判例法和法律学术提供的许多方法往往定义不清、相互矛盾或内部不一致。这项工作表明,实体相似性难题的关键部分可以通过理论计算机科学的启发进行建模。我们提出的框架定量地评估了需要多少“新颖性”来制作可以访问原始作品的衍生作品,而不是在没有访问原始作品的版权元素的情况下复制它。“新颖性”是通过描述长度的计算概念来捕获的,本着Kolmogorov-Levin复杂性的精神,它对机械转换和上下文信息的可用性具有鲁棒性。这就形成了一个可操作的框架,法院可以用它作为决定实质性相似性的辅助工具。我们在版权法的几个关键案例中对其进行了评估,并观察到结果与裁决一致,并且在哲学上与阿尔泰的抽象-过滤-比较测试一致。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Formalizing Human Ingenuity: A Quantitative Framework for Copyright Law's Substantial Similarity
A central notion in U.S. copyright law is judging the substantial similarity between an original and an (allegedly) derived work. Capturing this notion has proven elusive, and the many approaches offered by case law and legal scholarship are often ill-defined, contradictory, or internally-inconsistent. This work suggests that key parts of the substantial-similarity puzzle are amenable to modeling inspired by theoretical computer science. Our proposed framework quantitatively evaluates how much ''novelty'' is needed to produce the derived work with access to the original work, versus reproducing it without access to the copyrighted elements of the original work. ''Novelty'' is captured by a computational notion of description length, in the spirit of Kolmogorov-Levin complexity, which is robust to mechanical transformations and availability of contextual information. This results in an actionable framework that could be used by courts as an aid for deciding substantial similarity. We evaluate it on several pivotal cases in copyright law and observe that the results are consistent with the rulings, and are philosophically aligned with the abstraction-filtration-comparison test of Altai.
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