{"title":"“用手提钻拼贴”:詹姆斯·雷尼,噪音的艺术,和辅音拼贴","authors":"Michael O'Driscoll","doi":"10.1353/esc.2020.a903556","DOIUrl":null,"url":null,"abstract":"On 16 january 1969, Canadian poet and playwright James Reaney paid a visit to a classroom of students where he performed excerpts from, and discussed the aesthetic sensibility of, his celebrated 1967 play Colours in the Dark. Reaney’s classroom visit was recorded on reel-to-reel tape and has been digitized and preserved as part of the collection maintained by the University of Alberta (ua) partners in the SpokenWeb research network.1 The location of the recorded event is not indicated on the audio object. The spine on the original reel-to-reel tape box indicates “POETRY READING: James Reaney” in type with a corresponding ua Department of English media catalogue number; the back of the box includes a handwritten note “DEPT OF ENGLISH POETRY READING” in block capitals, and “James Reaney Jan 16, 1969” in a scripted, different hand; a third set of box “Collage With Jackhammer”: James Reaney, the Art of Noises, and the Paraphonic Sound Collage","PeriodicalId":384095,"journal":{"name":"ESC: English Studies in Canada","volume":"38 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"Collage With Jackhammer\\\": James Reaney, the Art of Noises, and the Paraphonic Sound Collage\",\"authors\":\"Michael O'Driscoll\",\"doi\":\"10.1353/esc.2020.a903556\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"On 16 january 1969, Canadian poet and playwright James Reaney paid a visit to a classroom of students where he performed excerpts from, and discussed the aesthetic sensibility of, his celebrated 1967 play Colours in the Dark. Reaney’s classroom visit was recorded on reel-to-reel tape and has been digitized and preserved as part of the collection maintained by the University of Alberta (ua) partners in the SpokenWeb research network.1 The location of the recorded event is not indicated on the audio object. The spine on the original reel-to-reel tape box indicates “POETRY READING: James Reaney” in type with a corresponding ua Department of English media catalogue number; the back of the box includes a handwritten note “DEPT OF ENGLISH POETRY READING” in block capitals, and “James Reaney Jan 16, 1969” in a scripted, different hand; a third set of box “Collage With Jackhammer”: James Reaney, the Art of Noises, and the Paraphonic Sound Collage\",\"PeriodicalId\":384095,\"journal\":{\"name\":\"ESC: English Studies in Canada\",\"volume\":\"38 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-08-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ESC: English Studies in Canada\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/esc.2020.a903556\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ESC: English Studies in Canada","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/esc.2020.a903556","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
1969年1月16日,加拿大诗人和剧作家詹姆斯·里尼(James Reaney)访问了一间教室,在那里他表演了他1967年著名戏剧《黑暗中的色彩》(Colours in the Dark)的节选,并讨论了这部戏剧的审美敏感性。Reaney的课堂访问被记录在卷轴式磁带上,并作为阿尔伯塔大学(ua)在SpokenWeb研究网络中的合作伙伴维护的收藏的一部分进行了数字化和保存录制事件的位置没有显示在音频对象上。原始磁带盒上的书脊上印有“诗歌朗诵:詹姆斯·雷尼”字样,并附有相应的ua英语媒体目录编号;盒子背面有一张手写的便条,用大写字母写着“英语系诗歌朗诵”,还有另一个手写的“詹姆斯·里尼,1969年1月16日”;第三套“用手提钻拼贴”:詹姆斯·雷尼,噪音的艺术,和辅音拼贴
"Collage With Jackhammer": James Reaney, the Art of Noises, and the Paraphonic Sound Collage
On 16 january 1969, Canadian poet and playwright James Reaney paid a visit to a classroom of students where he performed excerpts from, and discussed the aesthetic sensibility of, his celebrated 1967 play Colours in the Dark. Reaney’s classroom visit was recorded on reel-to-reel tape and has been digitized and preserved as part of the collection maintained by the University of Alberta (ua) partners in the SpokenWeb research network.1 The location of the recorded event is not indicated on the audio object. The spine on the original reel-to-reel tape box indicates “POETRY READING: James Reaney” in type with a corresponding ua Department of English media catalogue number; the back of the box includes a handwritten note “DEPT OF ENGLISH POETRY READING” in block capitals, and “James Reaney Jan 16, 1969” in a scripted, different hand; a third set of box “Collage With Jackhammer”: James Reaney, the Art of Noises, and the Paraphonic Sound Collage