{"title":"数字清单","authors":"H. Stern","doi":"10.7765/9781526166258.00017","DOIUrl":null,"url":null,"abstract":"Precursor Fig. 1 Peter Forsskål, painted in 1760 by P. Dahlman. Photographer: Julia Gyllenadler; property of Uppsala University Art Collection. 23 Fig. 2 Baurenfeind’s drawing of an Arab woman in the Tihama. Source: Reisebeschreibung, Tab. LIX (n.p.). 30 Fig. 3 Baurenfeind’s drawing of the audience with the Imam. Source: Reisebechreibung, Tab. LXIX (n.p.). 33 Cover: “Ali Bou Bakr, mon propriétaire (Côte Yemen).” Musée Bartholdi-Colmar. Photo Chr. Kempf I ADC 90/123.","PeriodicalId":355267,"journal":{"name":"The War on the Uyghurs","volume":"88 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"List of figures\",\"authors\":\"H. Stern\",\"doi\":\"10.7765/9781526166258.00017\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Precursor Fig. 1 Peter Forsskål, painted in 1760 by P. Dahlman. Photographer: Julia Gyllenadler; property of Uppsala University Art Collection. 23 Fig. 2 Baurenfeind’s drawing of an Arab woman in the Tihama. Source: Reisebeschreibung, Tab. LIX (n.p.). 30 Fig. 3 Baurenfeind’s drawing of the audience with the Imam. Source: Reisebechreibung, Tab. LXIX (n.p.). 33 Cover: “Ali Bou Bakr, mon propriétaire (Côte Yemen).” Musée Bartholdi-Colmar. Photo Chr. Kempf I ADC 90/123.\",\"PeriodicalId\":355267,\"journal\":{\"name\":\"The War on the Uyghurs\",\"volume\":\"88 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The War on the Uyghurs\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7765/9781526166258.00017\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The War on the Uyghurs","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7765/9781526166258.00017","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Precursor Fig. 1 Peter Forsskål, painted in 1760 by P. Dahlman. Photographer: Julia Gyllenadler; property of Uppsala University Art Collection. 23 Fig. 2 Baurenfeind’s drawing of an Arab woman in the Tihama. Source: Reisebeschreibung, Tab. LIX (n.p.). 30 Fig. 3 Baurenfeind’s drawing of the audience with the Imam. Source: Reisebechreibung, Tab. LXIX (n.p.). 33 Cover: “Ali Bou Bakr, mon propriétaire (Côte Yemen).” Musée Bartholdi-Colmar. Photo Chr. Kempf I ADC 90/123.