表演年龄(ing):讲座表演

Susanne Martin
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引用次数: 0

摘要

这篇文章是一个30分钟的演讲表演的书面版本,从当代舞蹈的角度来看年龄的图像和叙事我为2018年11月29日在德国汉诺威举行的“老龄化的文化视角”国际研讨会开发了这一讲座表演,并在那里进行了表演。作为一名以实践作为研究方法(Nelson 2013)——在欧洲大陆通常被称为“艺术研究”(Borgdorff 2006)——的舞蹈和年龄(ing)主题的研究者,我担心的是,我的表演、具体化的实践和艺术方法在我的学术研究中是可见的。因此,在讲座表演中,我的现场舞蹈身体发挥了相当重要的作用。为了保留本出版物中以表演为基础的讲座形式,我将讲座的口头内容和对我的动作和舞蹈的简短描述整合到我的文本中,以类似于戏剧文本中包含舞台指示的方式。年龄研究员Peter Derkx在演出期间拍摄的照片提供了重要的额外信息。尽管这样的照片并没有传达出实际舞蹈的动态,但它们确实表明了整个活动的美学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Performing Age(ing): A Lecture Performance
This text is the written version of a 30-minute long lecture performance on images and narratives of age(ing) from a contemporary dance perspective.1 I developed this lecture performance for the international symposium “Cultural Perspectives on Ageing” in Hanover, Germany and performed it there on November 29, 2018. As a researcher on the subject of dance and age(ing) with a practice-as-research approach (Nelson 2013) – usually called “artistic research” in continental Europe (Borgdorff 2006) – it is my concern that my performative, embodied practice and artistic methodology is visible in my academic research. In the lecture performance, therefore, my live dancing body played quite an important role. To retain the performance-based form of the lecture in this publication, I have integrated into my text both the verbal contents of the lecture and short descriptions of my actions and dances, in a similar manner that stage directions are included in dramatic text. The photos taken by age researcher Peter Derkx during the performance offer important additional information. Even though such photos do not convey the dynamics of the actual dancing, they do give an indication of the aesthetics of the overall event.
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