法国的生活写作

N. Ponsard
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摘要

在不寻求详尽的情况下,本文概述了在法国人文科学中分析工人自传的不同方式。在第一阶段,社会和政治方法占主导地位。通过撰写于19世纪和20世纪的工人自传,研究人员试图掌握与政治的关系,特别是在20世纪,在他们的政治和工会轨迹重建中接受或拒绝共产主义模式。与此同时,从文化的角度来看,他们试图理解这些自学成才的工人的教育和文学影响,这些工人在工人的世界里很不寻常,他们从阅读的实践跨越到写作的实践。在过去的十年里,工人自传已经成为劳工史和工人史框架中特别使用的资料来源。事实上,它们使人们有可能了解男性和女性如何表达他们的工作条件:车间的气氛、工作中的姿势和身体与工作之间的关系、对噪音和气味的感知、与等级制度和工会的关系。这些自传可以看作是真正的“政治行为”,有助于阶级斗争。最后,在关于“普通写作”的人类学研究和关于工作写作和工作写作的文学研究的交叉点上,他们通过更多地关注写作的形式和工人的文学抱负,提出了关于写作经验的手段和意义的问题,这些往往在采访中显露出来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Life Writing from Below in France
Without seeking to be exhaustive, this paper offers an overview of the different ways in which workers’ autobiographies have been analysed in France in the human sciences. In the first phase, a social and political approach was dominant. Through workers’ autobiographies written in the nineteenth and twentieth centuries, researchers have attempted to grasp the relationship to politics, and especially in the twentieth century the acceptance or rejection of the communist model in the reconstruction of their political and trade union trajectories. At the same time, in a cultural approach, they have tried to understand the educational and literary influences which marked these self-taught workers who, unusually in the workers’ world, crossed over from practices of reading to practices of writing. Over the last ten years, workers’ autobiographies have become sources particularly used in the framework of labour history and workers’ history. Indeed they make it possible to grasp how men and women articulate their working conditions: the atmosphere in the workshop, gestures in work and relations between the body and the work, perception of noises and smells, relationships with hierarchy and trade-unions. These autobiographies can be considered as constituting real “political acts” which contribute to class struggle. Finally, at the intersection of anthropological researches about “ordinary writings” and literary studies about the writing of work and writing at work, they pose a question about the means and the meaning of writing experiences by paying more attention to the form of the writings and to the workers’ literary ambitions, which are often revealed in interviews.
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