{"title":"r2p与小说:斯特拉·列文托扬尼斯·哈维《自由的边缘》中被遗弃的难民儿童的比喻","authors":"Erin Goheen Glanville","doi":"10.1163/1875984X-01001008","DOIUrl":null,"url":null,"abstract":"The abandoned refugee child is a powerful yet simplistic cultural trope that can inspire intense, sympathetic reactions to asylum seekers but cannot sustain that sympathy in more complex contexts. In contrast, literary novels unpack the intricacies, details, and nuances of refugee children’s experiences, serving as a reliable representation of reality and a winsome pedagogical tool for increasing curiosity and attention to refugee children. As cultural pedagogy, refugee fiction promotes public discussions around the complex situations of vulnerable children, educates readers about sovereignty as responsibility, and thus mobilises and nuances the political will to fulfill a nation’s responsibility to protect. Literary novels leverage a rhetoric that is concrete, polyphonous, interlocking, and intimate. This paper uses the example of Stella Leventoyannis Harvey’s Canadian novel The Brink of Freedom, which embeds complex, even contradictory, representations of R 2 P issues into the particular details of a displaced child’s perspective. The pedagogical work of this example of literary fiction is accomplished through the differing perspectives embodied concurrently by sympathetic characters, the concrete details of one child’s deeply intimate moments, the central metonym of the child/caregiver as the citizen/nation, and the contrasting first person child narrator. In a highly polarised global context that appears to be moving towards protectionist policies, this kind of local, creative cultural intervention can feed an alternative social imaginary that prioritises interdependence over independence for the health of everyone.","PeriodicalId":206733,"journal":{"name":"Children and the Responsibility to Protect","volume":"10 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"r2p and the Novel: The Trope of the Abandoned Refugee Child in Stella Leventoyannis Harvey’s The Brink of Freedom\",\"authors\":\"Erin Goheen Glanville\",\"doi\":\"10.1163/1875984X-01001008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The abandoned refugee child is a powerful yet simplistic cultural trope that can inspire intense, sympathetic reactions to asylum seekers but cannot sustain that sympathy in more complex contexts. In contrast, literary novels unpack the intricacies, details, and nuances of refugee children’s experiences, serving as a reliable representation of reality and a winsome pedagogical tool for increasing curiosity and attention to refugee children. As cultural pedagogy, refugee fiction promotes public discussions around the complex situations of vulnerable children, educates readers about sovereignty as responsibility, and thus mobilises and nuances the political will to fulfill a nation’s responsibility to protect. Literary novels leverage a rhetoric that is concrete, polyphonous, interlocking, and intimate. This paper uses the example of Stella Leventoyannis Harvey’s Canadian novel The Brink of Freedom, which embeds complex, even contradictory, representations of R 2 P issues into the particular details of a displaced child’s perspective. The pedagogical work of this example of literary fiction is accomplished through the differing perspectives embodied concurrently by sympathetic characters, the concrete details of one child’s deeply intimate moments, the central metonym of the child/caregiver as the citizen/nation, and the contrasting first person child narrator. In a highly polarised global context that appears to be moving towards protectionist policies, this kind of local, creative cultural intervention can feed an alternative social imaginary that prioritises interdependence over independence for the health of everyone.\",\"PeriodicalId\":206733,\"journal\":{\"name\":\"Children and the Responsibility to Protect\",\"volume\":\"10 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-03-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Children and the Responsibility to Protect\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/1875984X-01001008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Children and the Responsibility to Protect","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/1875984X-01001008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
被遗弃的难民儿童是一个强大而简单的文化比喻,可以激发人们对寻求庇护者强烈的同情反应,但在更复杂的情况下却无法维持这种同情。相比之下,文学小说揭示了难民儿童经历的错综复杂、细节和细微差别,是对现实的可靠再现,也是一种迷人的教学工具,可以增加人们对难民儿童的好奇心和关注。难民小说作为一种文化教学法,推动公众围绕弱势儿童的复杂处境展开讨论,教育读者主权即责任,从而调动和微妙地体现出履行国家保护责任的政治意愿。文学小说运用了具体的、多音的、环环相扣的和亲密的修辞。本文以Stella Leventoyannis Harvey的加拿大小说《自由的边缘》(the Brink of Freedom)为例,将rp问题的复杂甚至矛盾的表述嵌入到一个流离失所儿童视角的特定细节中。这个文学小说范例的教学工作是通过不同的视角来完成的,这些视角同时体现在富有同情心的人物身上,一个孩子深深亲密时刻的具体细节,孩子/照顾者作为公民/国家的中心转喻,以及对比鲜明的第一人称儿童叙述者。在高度两极化的全球背景下,似乎正在走向保护主义政策,这种地方的、创造性的文化干预可以为每个人的健康提供另一种社会想象,即优先考虑相互依存而不是独立。
r2p and the Novel: The Trope of the Abandoned Refugee Child in Stella Leventoyannis Harvey’s The Brink of Freedom
The abandoned refugee child is a powerful yet simplistic cultural trope that can inspire intense, sympathetic reactions to asylum seekers but cannot sustain that sympathy in more complex contexts. In contrast, literary novels unpack the intricacies, details, and nuances of refugee children’s experiences, serving as a reliable representation of reality and a winsome pedagogical tool for increasing curiosity and attention to refugee children. As cultural pedagogy, refugee fiction promotes public discussions around the complex situations of vulnerable children, educates readers about sovereignty as responsibility, and thus mobilises and nuances the political will to fulfill a nation’s responsibility to protect. Literary novels leverage a rhetoric that is concrete, polyphonous, interlocking, and intimate. This paper uses the example of Stella Leventoyannis Harvey’s Canadian novel The Brink of Freedom, which embeds complex, even contradictory, representations of R 2 P issues into the particular details of a displaced child’s perspective. The pedagogical work of this example of literary fiction is accomplished through the differing perspectives embodied concurrently by sympathetic characters, the concrete details of one child’s deeply intimate moments, the central metonym of the child/caregiver as the citizen/nation, and the contrasting first person child narrator. In a highly polarised global context that appears to be moving towards protectionist policies, this kind of local, creative cultural intervention can feed an alternative social imaginary that prioritises interdependence over independence for the health of everyone.