从罗马到维罗纳:莎士比亚的悲剧空间

Marlene Soares dos Santos
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引用次数: 0

摘要

莎士比亚的批评主要集中在研究他的人物和他们的故事上,而忽略了情节发生的地点。然而,在伊丽莎白一世和詹姆士一世时代,由于中世纪旅行者的书籍而改变的世界边界,由于海上航行而大大扩展,给全球带来了另一种地图。在一个缺乏信息手段的时代,剧院传播着关于舞台上开始出现的新大陆的消息。本文论述了当代地理环境对莎士比亚喜剧语言的影响;对于发生在遥远过去的悲剧,他在创作过程中融入了地域的扩展,从而产生了令人难忘的戏剧空间和其他阅读的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
De Roma a Verona: espaços trágicos shakespearianos
Shakespearean criticism has mainly focused on the study of his characters and their stories, mainly ignoring the places where the plots occur. Yet, in the Elizabethan and Jacobean eras the world frontiers, already altered due to medieval travellers’ books, expanded enormously owing to the sea voyages, imposing another cartography on the globe. The theatre, in an age lacking means of information, spread the news regarding the new lands which began to appear on the stage. This essay discusses how the contemporary geography influenced Shakespeare shown in the language of some comedies; as to the tragedies, which occur in the distant past, he incorporated the geographic expansion into his creative process resulting in memorable dramatic spaces and other possibilities of reading.
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