吉里什·卡纳德《火与雨》中女性的敏感

Dr. Nirmala Devi. M
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引用次数: 0

摘要

在传统的印度社会,女性被无情地剥夺了公开表达自己真实感受的机会。在Girish Karnad的作品中,女性角色不断反抗女性在印度社会中的传统地位,试图找到自己的道路。他的作品嘲笑了不公正的价值观??男权社会,不关心女人的感受,把女人看成是绝对忠于他的下等人。你可以把它叫做那伽曼达拉、哈亚瓦达那、火与雨,所有这些元素就是一切。对女性的剥削和压迫已经成为一种既定的大男子主义文化,所以他的作品代表了一个交汇点,在这个交汇点上,女性被描绘成开明的、解放的、反抗的。吉里什·卡纳德努力克服男性统治,希望提高人们对女性如何以婚姻的名义被剥削和虐待的认识。卡纳德开始她的工作是为了迎接解决有争议问题的挑战。至于女性,她在支持性别和种姓范式的歧视性政治中有过经验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Women Sensitiveness in Girish Karnad's the Fire and the Rain Hayavadana and Nagamandala
In traditional Indian society, women are ruthlessly deprived of the opportunity to express their true feelings publicly. In Girish Karnad's works, female characters constantly rebel against the traditional position of women in Indian society and try to find their own way. His works make fun of the unjust values ??of the patriarchal society, which does not care about women's feelings and regards women as only inferior people who are absolutely loyal to him. Call it Nagamandala, Hayavadana and The Fire and the Rain, all these elements are everything. The exploitation and oppression of women has become an established culture of male chauvinism, so his works represent a meeting point where women are portrayed as enlightened and liberated with resistance. Girish Karnad strives to overcome male dominance, hoping to raise awareness of how women are exploited and abused in the name of marriage. Karnad started her work to meet the challenge of resolving controversial issues. As for women, she has experience in discriminatory politics that supports gender and caste paradigms.
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